Métro(2016)

On The Go - Repeat Offender(en)

Hip-Hop Culture and Graffiti Video Magazine

The New York Graffiti Experience(en)

Documentary on New York Graffiti featuring art by Cliff, Phase 2, Comet, Blade, IN, Billy167, LSD OM, Ajax , Dean, Mico, Checker 170, Skylark

Rocking '83 - Bear's Jam(en)

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

Quien dice patria dice muerte(es)

Appendix(pt)

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

La Coupe Stanley à Montréal en 1993(fr)

Breaking Point: Canada/Quebec - The 1995 Referendum(fr)

BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.

Les Mathématiques du Roi Heenok(fr)

September Five at Saint-Henri(fr)

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Alltagsgeschichte – Treffpunkt U-Bahn(de)

Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.

Artists on Board(pt)

In 2019, this short film documentaries the daily of severals subway artists in the stations of Rio de Janeiro

The End Of The Line: Rochester's Subway(en)

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

Quartiers sous tension(fr)

The 80 Goes to Sparta(en)

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

Snowflakes at the End of the World(fr)

Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.

Baggages(fr)

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Bledi, This is Our Home(fr)

Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.

How we built the Moscow metro(fr)

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

Je suis finissant(fr)

Lorraine Pintal - So The Light Never Dies(fr)

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.