Calling on Costa Rica(1947)

A Visit to Los Angeles(en)

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.

The Magic of Christmas in Alsace(en)

This documentary visits the towns and villages of the Alsace region of France at Christmastime. See the charmingly decorated storybook towns and learn of the unique holiday traditions and celebrations. The Alsatian landscape is covered with medieval towns, castle ruins and vineyards, and the communities of the region create a season of enchantment in their celebration of Christmas.

Sans Soleil(fr)

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Der Kilometerfresser(de)

Sports enthusiast Ernest is to cover 6,000 kilometers on his motorcycle in 15 days, crossing Austria, Italy, Switzerland, the Balkans and Czechoslovakia.

Puntualidad(es)

To the Four Corners(en)

Haunting colour travelogue taking in Ulster, Lewis, Lincoln and Cardiff's Tiger Bay.

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An Uncountable Number of Threads(en)

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Wild Costa Rica(en)

Cost Rica is one of the most diverse places on Earth. This exploration features Costa Rica's unique animal inhabitants, including various monkeys, birds, frogs, even caimans and fruit-eating bats.

Ocular(en)

Inspired by Chris Marker's Sans Soleil, a girl decides to make her own rendition of Marker's mesmerising voyage through Japan, only for it to turn awry when she encounters another girl - a recurring stranger - haunting her path.

Through the Gaze of the Cockfighter(es)

What motivates a cock-fighter to fight a rooster he loves? In Costa Rica, cockfighting is considered a crime and has been banned for 99 years. A large part of society rejects this tradition and those who practice it, but is it fair to morally judge a cock-fighter as a criminal? We will get to know the other side of the coin through the gaze of the cock-fighter.

Memorias Encuadradas(es)

One hundred years of the cinematic memory of a small country told through motion graphics. A brief tour of previously unseen images and forgotten fragments of Costa Rican cinema, which, amid state efforts and industrial ambitions, prevailed throughout the 20th century.

Indocam(en)

A travelogue about India. But it is more than a video about a foreign place. We follow the director's itinerary and witness his chance encounters with people and also public events, some of which continue to shape India's politics today.

Horikita Maki: Castella(ja)

Documentary about the photo session for the photobook "Castella", filmed in Portugal.

Swimming to Cambodia(en)

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.

Rodez(xx)

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Nikita Kino(fr)

The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.

Portrait of Dublin(en)

This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.

The Road to the Four-Way Champions(es)

Only Saprissa could do it: four back-to-back titles. Get inside the locker room, and relive the amazing games, goodbyes, reunions, and the best fandom in all of Central America.

Valparaiso(fr)

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.