This production from the historic Teatro Carlo Felice in Genova, Italy, stars the opera worlds power couple, Daniela Dessì and Fabio Armiliato, as lovers Tosca and Cavaradossi. A tragic tale of doomed love interlaced with the age-old themes of jealousy, lust and intrigue, has ensured Tosca its place in the top ten of opera favourites. Probably the best contemporary soprano-tenor combination (a couple in real life, too) Daniela Dessì and Fabio Armiliato are ranged against a worthy opponent in the form of Claudio Sgura as police chief Baron Scarpia.
Angelotti
Sagrestano
Spoletta
Conductor
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.
This program captures a live performance of the Richard Wagner opera Die Meistersinger von Nurnberg, recorded at the Bayreuth Festival in Germany, under the direction of Katharina Wagner. Some of the vocalists featured in the performance include Franz Hawlata, Artur Korn, Michael Volle, and others.
A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
1987 recording of Wozzeck by the Vienna State Opera with Claudio Abbado conducting. Based upon Georg Büchner's 1837 play, Alban Berg's Wozzeck details the harsh existence of the title character, a former soldier in the German army who has to struggle mightily to make a living, even as others around him prosper.
LUCIANO PAVAROTTI was the rare artist who could easily bridge the divide between classical and popular music. Together with an impressive roster of the best-known names in rock, pop and jazz, Pavarotti entertained millions of people around the world with his "Pavarotti & Friends" concerts. This release is the first time that these tracks have been brought together in one album! Rarely has such a glittering array of singing legends from such varied genres been brought together at one time--on both DVD and CD! Featuring Bryan Adams, Andrea Bocelli, Bon Jovi, Bono/The Edge/Brian Eno, Mariah Carey, Eric Clapton, Sheryl Crow, Celine Dion, The Eurythmics, Elton John, Lionel Richie, Frank Sinatra, Sting and Zucchero.
Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
Franz Schreker’s career was cut short by the events of 1933 in Germany but he achieved real fame with his operas, and the huge success of Der Schatzgräber (‘The Treasure Hunter’) in the 1920s was the high point of his career. In a complex and ultimately tragic tale of destructive greed, desire and toxic social hierarchy, the innkeeper’s daughter Els is forced to confront the consequences of her murderous intent in what conductor Marc Albrecht considers ‘a work of exceptional quality, concentration and significance’. Following the huge success of Korngold’s Das Wunder der Heliane (Naxos DVD 2.110584–85 / Blu-ray NBD0083V), director Christof Loy continues his exploration of strong female characters and neglected 20th-century masterpieces with this highly acclaimed Deutsche Oper Berlin production.
A documentary film about singing and a young man in search of himself and his voice.
Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.
The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.
Bellini's radiant retelling of Shakespeare's Romeo and Juliet is a beacon in the bel canto tradition. San Francisco Opera's co-production features two of the greatest voices in bel canto together for the first time: mezzo Joyce DiDonato and soprano Nicole Cabell. Their compelling duet is one of the finest marriages between two voices in many, many years. The production, directed by Vincent Broussard and featuring costumes by Christian Lecroix, is captured in brilliant HD.
Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.
Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.
Giuseppe Verdi's opera "Macbeth" staged by Dario Argento, directed by Marco Scalfi.
Nikolaus Harnoncourt is the conductor in this 2004 production of Beethoven's only opera staged at the Zurich Opera House. Finnish soprano Camilla Nyland takes the title role, with performances by Jonas Kaufmann, Laszlo Polgar and Alfred Muff.
In this musical, a tempermental opera singer falls in love with a hearing-impaired young woman.
Including world-class artists such as Bryn Terfel, Cecilia Bartoli, Anne Sofie von Otter, Jose Cura, Simon Keenlyside and Agnes Letestu, this 50-minute sampler will give you a taste of many beloved classics in opera and ballet.
The Orchestra of the Royal Opera House presents a new production of Poulenc's short opera La Voix Humaine, featuring soprano Danielle de Niese and shot on location in Paris and London.