
'I tried to make a kind of environment in the room where I lived in Kentish Town and to make a film within it. There were pieces of paper and screwed up, transparent gels hanging from the ceiling; it was quite dense in some parts. I wandered through it with a camera and then other parts were filmed on the rooftop at St Martins. I think I was just very much trying to find my way in a whole new area of work. I remember it involved a lot of refilming, which was the part I liked. The process was very fluid, similar to painting. I got quite interested in the specks of dust and dirt on the film and the re-filming gave me a chance to look at that more closely. Probably the thing that attracted me to film was the light ... the kind of floating quality you can get, images suspended in light.'

'I tried to make a kind of environment in the room where I lived in Kentish Town and to make a film within it. There were pieces of paper and screwed up, transparent gels hanging from the ceiling; it was quite dense in some parts. I wandered through it with a camera and then other parts were filmed on the rooftop at St Martins. I think I was just very much trying to find my way in a whole new area of work. I remember it involved a lot of refilming, which was the part I liked. The process was very fluid, similar to painting. I got quite interested in the specks of dust and dirt on the film and the re-filming gave me a chance to look at that more closely. Probably the thing that attracted me to film was the light ... the kind of floating quality you can get, images suspended in light.'
1970-02-04
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5.8Straight-arrow policewoman Cooper is excited and thrilled about her next assignment. Her task is to escort Daniella Riva, a wisecracking Colombian beauty, from San Antonio to Dallas so both she and her husband can testify against a drug lord. Plans go awry when Mr. Riva gets ambushed, leaving Daniella a widow. Cooper and her witness must now use their wits to escape from crooked cops and murderous gunmen, while not killing each other in the process.
5.7On the verge of becoming a woman Sora is woken by a nightmare and decides to follow a group of men into the city in the hope of finding her mom.
5.0Abortion clinics in Texas are disappearing exponentially and healthcare providers are feeling the brunt. The Provider follows the story of abortion provider Dr. Shannon Carr who travels every week from New Mexico to Dallas in order to perform abortions despite restrictive laws and threats to her safety. Continue to share her story and follow our latest documentary series as we try to capture these stories and influence change before all abortion clinics in the US cease to exist
5.6Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.
0.0Anthology film. Five heroines from five different, yet similar worlds face social and systematic oppression and injustice. We follow their journeys as they struggle for hope and a better life.
5.0A high school senior’s life is turned upside down when photos of her naked body are distributed to a revenge porn website. Frustrated by police inaction, her mother takes the investigation into her own hands.
3.3Explores the hot-button issues around the striking gender gap in Hollywood. Both women and men in the entertainment industry share first-person insights, questions, and anecdotes about the place of women in Hollywood.
5.2The owner of a drugstore is killed in a hold-up. The only witness who saw one of the murderers without his mask is Gregory, a nine year old autistic boy. Cop Barlow is sure they'll try to silence him. He tries to get him to draw a picture of the man he saw.
6.4Anishoara is a 15-year old girl living with her grandfather and little brother in a small village among the rolling green hills of Moldova. Her life is marked by the quotidian rhythms of country life; in summer she feels the overwhelming sensation of first love when on a trip with friends to the melon harvest. In autumn a strange German tourist disrupts her otherwise calm existence. In winter she travels for the first time to the sea alongside the young man with whom she fell in love. In spring she longs for her lover's return, but when that moment comes it's not what she expected.
4.0True love never dies, the loving heart never stops beating ... for Kerstin’s ex Thomas, who she still hopes will come back some day. Instead of Thomas, her mother Charlotte shows up at her door, mid-50s and freshly single again, too. Charlotte moves in with Kerstin and her flatmates, one of who shows her how to use a modern dating app to meet new men. As mom starts dating again, her daughter refuses to let digital reality intrude on her romantic daydreams.
"D. W. Griffith’s 1909 short film A Corner in Wheat, a Biblical tale of avarice, divine retribution, and the prolonged suffering of the masses, is the prelude to this political film essay. Straub-Huillet offer a dialectical montage of cause (capitalist greed) and effect (the poverty of the farmer and the urban underclass), and draw from excerpts of their earlier work: Moses und Aaron, Fortini/Cani, and From the Cloud to the Resistance." - MoMA
0.0"At the end of filming Umiliati, Straub and Huillet gave thanks to the cast and crew in a graceful way: by inviting Dolando Bernardini to sing several stanzas from Torquato Tasso’s 16th-century epic poem Jerusalem Delivered." - MoMA
6.0At her only child's 9th birthday, Lucas, Estela, a telemarketing operator, plans a party that has minimal chances of success.
4.01987, 30 sec, color, sound Produced for an Artbreak segment on MTV Network, this dynamic "thirty-second spot" presents an abbreviated history of animation according to the representation of women, from the cell imagery of Max Fleischer's Out of the Inkwell series to the contemporary digital effects of television. In Birnbaum's vision, Fleischer's spilled inkwell releases cartoon bubbles containing images of women from MTV music videos. With wit and panache, Birnbaum reverses the traditional sexual roles of the producer and product of commercial imagery: The final image is that of a female artist on whose video "palette" we see a glimpse of Fleischer.
7.9All alone, Yellow Guy tries to stop a lamp from teaching him about dreams. While Red Guy finds out the truth about the puppets' existence.
5.2"Mechanical Love" is a documentary on the interrelationship between robots and humans. The film portrays people who have a close relationship with a robot, and it takes us from the high temple of robot technology, Tokyo, Japan, to Braunschweig, Germany, to Italy and back to Copenhagen, Denmark. By this world tour director Phie Ambo seeks to highlight the human need for love and our craving to be loved by others - perhaps the two most important aspects of life. Through the main characters, she examines the cultural differences in how we accept emotional robots in the East and the West.
3.5Set in a small Swedish town, the story is centered around three best friends aged 20. Michelle, a photo model, has a drinking problem which leads to a string of one-night-stands, including sex with the hot tempered boyfriend of Anna. She has just moved in with him and is too much in love too see his faults. Petra is their clever friend who must combine being pregnant with operating her own café.
6.4A group of workers from the south of Italy live collectively in Milan, where money isn't everything, it's the only thing, in 1974.
6.5Seemingly abandoned, a young woman walks through the porous city of Buenos Aires with her camera, finding potential mothers at every turn.
7.3Brené Brown is a research professor at the University of Houston Graduate College of Social Work. She has spent more than a decade studying vulnerability, courage, authenticity and shame. With two TED talks under her belt, Brené Brown brings her humor and empathy to Netflix to discuss what it takes to choose courage over comfort in a culture defined by scarcity, fear and uncertainty.