A live performance by Björk on the Debut Tour, recorded live at the The Royalty Theatre in London in May 1994. The concert is interspersed by short interviews with Björk on the streets of London, including her singing an improvisation to the sound of a car alarm and her thoughts on moving from Reykjavík to London.
A couple who can't stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.
A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
New Model Army have been one of the biggest underground music artists for over quarter of a century. To their global community of fans they mean everything. Yet mainstream success has so far eluded them. This film is the story of the band and in particular their charismatic and unconventional lead singer songwriter and founder Justin Sullivan.
Pierre Carles and Georges Minangoy go to meet former French and Catalan partisans engaged in the anti-Franco anarchist struggle of the 1970s.
In How to Meet a Mermaid, the sea becomes a haven for mankind, locked in its struggle with its 'indifferent universe'. Lex, Rebecca, and Miguel each have their own reasons to lay their lives in the hands of the capricious waters. The question remains, however, whether they will find what they so anxiously seek underneath the surface of the waters.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
A documentary of the band's first 12 years with interviews and live footage.
Filmed and recorded towards the tail end of 'The World Slavery Tour' over a record breaking four sold out nights at Los Angeles' 13,200 capacity Long Beach Arena. Featuring tracks from their first five albums.
Filmed across two sold-out nights at Birmingham N.E.C. Arena, UK in November 1988 during the band’s “Seventh Tour Of A Seventh Tour”.
Rock In Rio Festival 2001 - Iron Maiden headlines one of the biggest shows on Earth to a massive sell-out 250,000 crowd and a global TV audience of millions. The explosive two hour set, shot using 18 cameras and edited by Steve Harris, is Maiden at its best, performing their biggest show ever on the final date of their Brave New World Tour.
Visions of the Beast was released by Iron Maiden on June 2, 2003 and contains every promotional video through 2001's Rock in Rio. It is basically an updated version of The First Ten Years: The Videos and From There to Eternity. It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras.
Guns, God and Government is a concert film chronicling the band Marilyn Manson during their Guns, God and Government tour. It was released on October 29, 2002 on the formats VHS, DVD and UMD. The DVD contains live tracks and performances that switch between visuals of various shows from United States, Japan, Russia, and Europe while maintaining a single consistent music track.
Mötley Crüe’s Carnival of Sins is the live concert DVD of their sold out Red, White & Crüe world wide tour. Featuring their greatest hits" as well as new songs, Carnival of Sins is an unprecedented ALL ACCESS look at the band with behind the scenes footage and bonus material that will blow your mind.. Mötley Crüe delivers the concert that Rock ‘N’ Roll has been waiting for. Set List: 1. Opening 2. Shout At The Devil 3. Too Fast For Love 4. Ten Seconds To Love 5. Red Hot 6. On With The Show 7. Too Young To Fall In Love 8. Looks That Kill 9. Louder Than Hell 10. Live Wire 11. Girls Girls Girls 12. Wild Side 13. Don't Go Away Mad (Just Go Away) 14. Primal Scream 15. Glitter 16. Without You 17. Home Sweet Home 18. Nikki's Solo 19. Dr. Feelgood 20. Tommy's Solo 21. Same Ol' Situation 22. Tommy Cam 23. Sick Love Song 24. If I Die Tomorrow 25. Kickstart My Heart 26. Helter Skelter 27. Anarchy In UK Shot live on location at the Van Andel Arena in Grad Rapids, Michigan April 27th, 2005.
This is a music video collection showcasing all of Motley Crue's music videos going back to 1981 and running till 2000 and includes performances by the original Motley Crue and features videos with later members John Corabi and Randy Castillo.
Motörhead performing 16 August 2002. Recorded live at Gampel Open Air Festival at Festivalgelände, Gampel, Valais (AKA Wallis), Switzerland. Touring in support of HAMMERED, this was Motörhead's last performance of the summer festival season. Setlist*: 01 No Class - 02 - Bomber - 03 - Civil War - 04 - Damage Case - 05 - Love For Sale - 06 - God Save The Queen - 07 - Brave New World - 08 - Metropolis - 09 - Nothing Up My Sleeve - 10 - Dr Rock - 11 - R.A.M.O.N.E.S. - 12 - Shoot You In The Back - 13 - Sacrifice (* apparently the typical opener for this tour, "We Are Motörhead," was either dropped that night or more likely omitted from the video.)
My debut short film - as I approached adulthood, I created this as a means of reflection towards adolescence and life. A poetic documentary about looking away from the past and being present in the beauty of life.
A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.