Movie: samuel-613
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Street Youth
Yoel
Bubby
Tatty
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The Violin Maker of Cremona(en)
A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.
Phyllis(en)
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
October(ru)
Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.
The Witness(en)
In the Second World War, probably in a concentration camp somewhere, Gary Sinise is a soldier who conducts Jews everyday to some place where only clothes come back, under the eyes of an young prisoner boy (Elijah Wood). This witness disturbs the soldier, driving the story to a tragic and sad end and a new beginning.

Alone Time(en)
A young woman, stressed by her busy and continually crowded New York City existence spontaneously retreats to a solitary lake deep in the Adirondacks.
Woman X(en)
A young English banker has a curious encounter with a young homeless woman.
The Seal(sh)
Inspired by the 1928 experimental film by Robert Florey and Slavko Vorkapich, The Life and Death of 9413, a Hollywood Extra, this amateur short is the story of a man who spends his entire life under the thumb of anonymous bureaucrats. The titular seal adorns everything in life, from birth to death, in a criticism of bureaucracy and power over the individual, in a film that makes stylistic references to silent cinema.

The Wabbit Who Came to Supper(en)
Bugs Bunny exploits the situation when an uncle leaves Elmer Fudd three million dollars on the condition that he harm no animals, especially rabbits.

Like in the Movies(es)
After finding out that his girlfriend cheated on him in his Star Wars bedsheets, Nico decides to reencounter with his true love: Cinema. For this, he reunites his former university friends in order to shoot a low budget short film. Together, Nico and his friends go through wacky situations, between reality and fiction, which makes them question their friendships as well as their lives.
The Expulsion(de)
The extended Steyer family lives together in a cottage in the mountains. The younger Steyer's wife Ludmilla wants money, and doesn't care if she must ruin the lives of the Steyer family to get it. Lost film.

To Be and to Come Back(gl)
A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?

Lion's Den(en)
The film is about five men who meet up at their old hang-out spot after finishing their first semester of college.

Mulignans(en)
A short film focusing on bawdy talk and Italian-American stereotypes of African-Americans.

Coming Down(en)
A group of friends come to Gary's flat after a hard night's clubbing, take more drugs and chill out until the next morning.
The River(en)
On a sweltering hot day, a very pregnant Maria, desperate for a cooling swim, encounters obstacles on her path to the river.
I Want to Be(es)
The short drama film follows the daily life of the Juan and Jorge, two brothers living on the streets of Mexico City. It won an Academy Award in 2001 for Best Live Action Short Film.