Irreverent, nasty, politically incorrect, often vulgar and sometimes even rude, Rock and Belles Oreilles' inexhaustible and irresistible humour marked Quebec society in the 1980s and 1990s. Nothing has escaped this cultural phenomenon: radio, song, personalities, major events and social phenomena have fuelled this delirious, biting and funny humour because it is more true than nature. Reflecting a generation, RBO has clearly contributed to giving humour its nobility within Quebec culture. 2ndt of 5 dvd of the box set: ROCK ET BELLES OREILLES: THE COFFRET ET THE BONUS.
Various
Various
Irreverent, nasty, politically incorrect, often vulgar and sometimes even rude, Rock and Belles Oreilles' inexhaustible and irresistible humour marked Quebec society in the 1980s and 1990s. Nothing has escaped this cultural phenomenon: radio, song, personalities, major events and social phenomena have fuelled this delirious, biting and funny humour because it is more true than nature. Reflecting a generation, RBO has clearly contributed to giving humour its nobility within Quebec culture. 2ndt of 5 dvd of the box set: ROCK ET BELLES OREILLES: THE COFFRET ET THE BONUS.
2001-10-23
7
Svensson is a wealthy, aging blusterer who has just had a rather unusual funeral for his late wife and is now on his way to Spain with his cracker of a young mistress. But his trip is delayed when a lawyer turns up with a paternity suit. With a young undertaker as the new chauffeur at the wheel of his Jag, he sets off to confront the woman who claims to be the mother of his unknown daughter, turning his life and that of his companion upside down in the process.
It all started with a small exercise book. Its page were checkered with the courageous testimonies of 300 Central African women, girls and men. They reveal what Congolese mercenaries did to them. On their own initiative, they gathered together their testimonies in this book.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
The film takes place in 1659 when Bohdan Khmelnytsky's son Yuri took power from Hetman Vyhovsky. Supporters of Bohdan Khmelnytsky are trying to help his daughter Olena to save her father's regalia - the symbol of Hetman's power and independence of Ukraine.
Jason Enola is an obsessive FBI agent who is almost losing his mind after ten years on the tail of an elusive serial killer whose hallmark is the "paper trail" of notes left along with the victims. As the film begins, a new wave of killings start after four years of silence, and the psychiatrist Dr. Alyce Robertson becomes involved when she starts receiving telephone calls from the killer.
A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.
The main character returns from the prison with a desire to build a normal relationship with his, now, adult daughter who didn't have a father for a long period of her life. When he comes home sees that the daughter ran away from home and that his wife is cheating on him with a friend who also moved into the apartment. Armed with a sarcastic sense of humor he accepts all that and starts searching for his daughter, whom, by the way, does not want to be found.
"Jennifer Lopez: All I Have" was the first concert residency by American entertainer Jennifer Lopez. Performed at Zappos Theater (formerly The AXIS Theater) located in the Planet Hollywood Resort & Casino in Las Vegas, Nevada, the residency began on January 20, 2016 and concluded on September 29, 2018. The show has received critical acclaim for its production and Lopez's showmanship. The residency grossed $101.9 million after 120 shows, making it the sixth highest-grossing Las Vegas residency of all time, and the top residency by a Latin artist.
Mrs. Leyli intends to marry a younger person. But since that person is already married and hides it at the first meeting, their love does not happen.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.
A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.
A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
Turn of the Tide is a 1935 British film directed by Norman Walker. It was the first feature film made by J. Arthur Rank. It is set in a North Yorkshire fishing village, and relates the rivalry between two fishing families. The actors included John Garrick, Geraldine Fitzgerald, Wilfrid Lawson speak in the local accent. The work is based on the novel Three Fevers by Leo Walmsley.
This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.