Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
Junior and his father, Ben, move from Cold River to Mortville. Junior becomes threatened by Ben's desire to date again and find a new mother for Junior, and sabotages each of his dates.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
Grotesquely surreal offering charting three male generations of the same bizarre family, including a pervert who constantly seeks for new kinds of satisfaction, an obese speed eater, and a passionate embalmer.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s 'The Lost Generation', Paul soon becomes entangled with a very attractive American woman and her fiancée, a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 ...
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
While a group of young actors rehearse a new musical about a mass murderer, a notorious psychopath escapes from a nearby insane asylum.
During the weekend of Thanksgiving, aliens put their plans to take over the Earth in motion. Two friends, Mike and Jesse, appear to be the only thing to stand it the way (if it wasn't for the fact they are somewhat clueless to the invasion.) But with a little help from an over the top grump they may just have what it takes to get a clue and fight back.
"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.
A anthology of filth and death, filmed with a psychotic producers money.
Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.
Johnny, the megalomaniac leader of a group of squeegee kids, finds a video camera and pushes his followers into "acting" out increasingly dangerous "scenes".
Sometimes reduced to the image of a cursed artist, Amedeo Modigliani, an admirer of the masters of the Italian Renaissance, has traced an unparalleled path in modern art.