Take Me Away!(1978)

Sufjan Stevens Live - Outside Lands Music & Arts Festival(en)

Tracey Emin C.V. Cunt Vernacular(en)

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Fight club camp kusse(da)

The Face of Birth(en)

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Fest Selects: Best Gay Shorts, Vol. 1(en)

Eight gay shorts culled from top film festivals - A cross-section of some of the best recent gay shorts culled from top film festivals including Slamdance, Outfest, Frameline and more. Included are the award-winners BEDFELLOWS, CURIOUS THING, MY NAME IS LOVE, and STEAM. Whether inspired by a poem about teenage longing or a melange of interviews with gay men in New York, the shorts collected here share one thing in common: they were among the crowd favorites at film festivals across the country.

Fin de semana tragico(es)

The Best Man(en)

Malcolm is on the verge of marriage and he wants Duncan to be his Best Man, but what is Duncan hiding? In this tale of deception, three of Australia's up and coming talents explore the question: How well do we know our friends?

Trissákia 3(en)

The beauty of the ruins of a thirteenth-century Greek church is heightened by supernal light and shadow play.

Wettsingen in Schwetzingen / MTV unplugged(de)

El derecho a la vida(en)

Four interlocking stories about pregnancy all intersecting in an obstetrician's office.

Shourya(te)

Shourya (Manoj) completes his studies in the renowned Harvard University but comes to India to lead a life of a teacher. He helps the needy people. One chance meeting with Netra (Regina), a MP's daughter, turns into friendship and love blossoms. One day, they head to Kotilingala to do the jagaranam (staying awake at the night) in the temple. Late in the night, Netra's throat is slit by some unknown persons and immediately they take her to the hospital. Naturally Shourya becomes the suspect. What really happened? Who did this? Or has Shourya slit her throat as the police believe? Shourya (Manchu Manoj) is a highly educated individual who is in deep love with Nethra (Regina Cassendra). Due to unknown reasons, the couple decide to elope but an unfortunate series of events lead to Nethra being murdered. Twist in the tale arises when Shourya gets framed for the murder.

Kungen kommer(sv)

A travelling theater-company performs Offenbach's "The Beautiful Helene" when an officer in the audience notices the similarity in appearance between the leading actor Leonard Pettersson and the king Charles XV.With Pettersson dressed as the king and the other actors as the royal suite, they all go to Herrsunda castle where the officer is trying to make an impression on his fiance.

All That is Tender(ru)

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

Vertigo(cs)

Psychological study of country girl Jitka and her blossoming love for an older man afraid of her youth and spontaneity.

The Engagement Dress(en)

When Michelle finally gets to wear the lucky bridesmaid’s dress that has led to all of her friends getting married, she realizes that she’s been looking for love in all the wrong places.

Following(en)

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

Cloudgate Dance Theatre: Songs of the Wanderers(en)

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

Hafez(fa)

A young man named Shamsadin (Mehdi Moradi) receives the title of Hafez, bestowed only on those who memorize the Koran, and is sent to teach it to Nabat (Aso), the overseas-raised daughter of a religious leader. Although they never see each other's faces, feelings of love grow between them as they read the holy book. Unable to contain his feelings for Nabat, Hafez breaks his vows as a holy man by composing a poem to her, and is thrown out of her father's house and forced to relinquish his title. Then Nabat is forced to marry another man. Will the two ever be able to meet again?

The Spirit of TV(en)

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.