Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Raimbaud
Ragonde
Alice
Courtier
The Prompter
Willy the whale is back, this time threatened by illegal whalers making money off sushi. Jesse, now 16, has taken a job on an orca-researching ship, along with old friend Randolph and a sarcastic scientist, Drew. On the whaler's ship is captain John Wesley and his son, Max, who isn't really pleased about his father's job, but doesn't have the gut to say so. Along the way, Willy reunites with Jesse
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.
Scooby-Doo and the rest of the ghost-busting gang visit a quiet farm town where everyone is preparing for the annual Halloween harvest celebration.
A young bride in the midst of her wedding finds herself mysteriously transported to the TARDIS. The Doctor must discover what her connection is with the Empress of the Racnoss's plan to destroy the world.
Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Elina goes to a fairy school to learn dancing and fairy magic. The spring of the fairy land is soon threatened by evil Laverna who intends to prevent fairies from performing the annual vital rainbow dance. Elina must stop quarreling with her fellow students and unite them to save the first bud of the spring.
The Mystery Inc. gang takes a trip to Japan and finds themselves circling Asia and the Pacific in a treasure hunt, racing against the vengeful Black Samurai and his Ninja warriors to find the legendary Sword of Fate, an ancientblade fabled to possess extraordinary supernaturalpowers.
Long, long ago, in a time of magic and dragons, there lived a girl named Rapunzel who had the most beautiful radiant hair the world had ever seen. But Rapunzel's life was far from wonderful. She lived as a servant to Gothel, a jealous, scheming witch who kept her hidden deep in a forbidding forest, guarded by the enormous dragon Hugo and surrounded by an enchanted glass wall. However, in a twist of fate, Rapunzel's discovery of a magic paintbrush leads her on a journey that will unravel a web of deception, bring peace to two feuding kingdoms, and ultimately lead her to love with the help of Penelope, the least intimidating of dragons!
Seventeen-year-old Jesse has been hearing terrifying sounds coming from his neighbor’s apartment, but when he turns on his camera and sets out to uncover their source, he encounters an ancient evil that won’t rest until it’s claimed his very soul.
When Santa and his new best friend, Paws, discover that the boys and girls of the world have lost the spirit of the season, they take a trip to New York City. But after Santa loses his memory, it's up to Paws, a faithful orphan named Quinn, her new friend Will, and a wonderful group of magical talking dogs to save St. Nick and show the world what Christmas is really all about.
Dance your way to a magical adventure with Barbie as Kristyn, a ballerina with big dreams! When she tries on a pair of sparkling pink shoes, she and her best friend, Hailey, are whisked away to a fantastical ballet world. There, Kristyn discovers she must dance in her favorite ballets in order to defeat an evil Snow Queen. With performances to the legendary Giselle and Swan Lake ballets, it's a wonderful journey where if you dance with your heart, dreams come true!
While the original parodied slasher flicks like Scream, Keenen Ivory Wayans's sequel to Scary Movie takes comedic aim at haunted house movies. A group of students visit a mansion called "Hell House," and murderous high jinks ensue.
A group of friends finds their fun at vacation camp ruined when a big corporate developer threatens to build a pollution-spewing factory on the land.
WrestleMania 21 was the twenty-first annual WrestleManiaPPV. It was presented by Snickers and took place on April 3, 2005 at the Staples Center in Los Angeles, California. The main match on the Raw brand was Triple H versus Batista for the World Heavyweight Championship. The predominant match on the SmackDown brand was John "Bradshaw" Layfield versus John Cena for the WWE Championship. Another primary match was an interpromotional match between The Undertaker versus Randy Orton. The featured matches on the undercard were Kurt Angle versus Shawn Michaels and a Money in the Bank ladder match. The event also featured the return of Stone Cold Steve Austin who started his part-time appearances with WWE at this event. The event drew a Staples Center record attendance of 20,193 people and grossed more than $2.1 million in ticket sales.
Professor Gabriel Emerson finally learns the truth about Julia Mitchell's identity, but his realization comes a moment too late. Julia is done waiting for the well-respected Dante specialist to remember her and wants nothing more to do with him. Can Gabriel win back her heart before she finds love in another's arms?
This recording of the opera Ariane et Barbe-Bleue by Paul Dukas was staged at the Liceu in Barcelona in 2011, with Claus Guth as director, Stéphane Denève as conductor and José van Dam and Jeanne-Michèle Charbonnet in the leading roles.
A one-off production of Boris Godunov was staged by Andrei Konchalovsky at the Teatro Regio in Torino in 2010, with Orlin Anastassov in the leading role and Gianandrea Noseda conducting the Orchestra del Teatro Regio.
A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
Scenes from Ruggero Leoncavallo's opera with Canio, the clown, introducing actors who are seen in pantomime while the operatic voices are heard off-screen. Canio discovers his wife has been unfaithful but carries on with his performance.
John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.
Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions. Köhler's production at the Halle Opernhaus revisits a work that encompasses comedy, tragedy and almost absurd grotesqueness, couching it in the convincing metaphor of a modern hospital.
The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in concert and recitals all over the world. One of the most renowned and ardent supporters of zarzuela melodies is Plácido Domingo. Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, "a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top." (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats."The dazzle of genuine stars shone brightly over Salzburg!" (Die Welt)
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Claudio Monteverdi's operatic adaptation of this story from Homer's The Odyssey receives a modern and distinctive staging in this 2002 production directed by Humphrey Burton for Les Arts Florissants. Penelope Marijana Mijanovic is left to her own devices when her husband, the heroic Ulysses Kresimir Spicer, goes off to fight in the Trojan Wars. After many years alone, Penelope finds herself attracting a number of suitors who wish to claim her hand; however, what she doesn't realize is that jealous Ulysses has his ways of keeping an eye on her. Production of the Festival d'Aix-en-Provence; from the Theatre du Jeu de Paume.
The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.
Puccini's Il Tabarro & Leoncavallo's Pagliacci; Pavarotti and Domingo star in MET 1994-1995 season opener.
Claude Debussy's fairy tale-based opera Pelléas et Mélisande is by now well known; at once a tale of doomed love and a meditation on the cycle of creation and destruction (adapted from Maurice Maeterlinck's 1893 symbolist play), it originally premiered in 1902 to mixed critical reception, but has since become a staple of the operatic repertory and one of the most popular works from Debussy's canon. This particular production emerged from the Opernhaus Zürich in 2004. It stars Rodney Gilfry as Pelléas, Isabel Rey as Mélisande and Michael Volle as Golaud. Franz Welser-Möst conducts the Zurich Opera Orchestra; Sven-Eric Bectholf directs for the stage.
Richard Wagner's operatic retelling of the story of the search for the Holy Grail receives a lavish production in this video, which records performances held in Bayreuth, St. Petersburg, and Ravello, Italy. Internationally renowned tenor Placido Domingo leads the distinguished cast; Tony Palmer directs.