Azahares rojos(1961)

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Extinct Attractions Club Presents: The Pirates of the Caribbean Story(en)

See the behind the scenes story as told by the people who worked side by side with Walt Disney on the most famous theme park attraction of all time! From the walk through concept to the final design in Disneyland and Disney Theme parks world wide.

A Lure: Teen Fight Club(en)

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

Return(en)

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

Home(en)

On a hot summer night in Brooklyn, singles and couples converge in a brownstone apartment to flirt, fight, hook up and break up. A dreamy comedy-drama about sex, love and freedom, "Home" packs a lot of stories into just two floors.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Return(fr)

Musangwe: Fight Club(en)

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Return(en)

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Return(hy)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Film(it)

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

A Lifelong Love(en)

While trying to reunite her grandfather with his lost love, Annika teams up with college sweetheart Ryan to create a book about the experience, documenting different love stories along the way.

Lost Existence(en)

After time spent in a clinic, a mother returns home to tell the family she’s leaving but tragically ends up choking to death on an olive. This Vincent can’t handle, so he decides to move away after the passing of his mother. A year later sister Lucy is left to care for father who now suffers from dementia and still believes mother is alive. Lucy calls on Vincent for help, whilst trying convince father that mother’s gone, she falls to her death. Holidaying in Greece, Vincent meets Marcus and is introduced to Sophia with whom he falls in love but happiness for Vincent seems to elude him when Sophia decides to leave and a stray bullet from Marcus’s gun almost ends his life.

Marriage Adventures(el)

Helena (Xenia Kalogeropoulou) returns to Greece after studying in Paris and on the ship home she meets Dinos (Dinos Iliopoulos). An attraction develops between them and after a while Dinos asks for her hand in marriage. Helena though cannot accept his proposal because she is pregnant.

23 Climbs 46 Hats(en)

Aimee Mathias climbs the highest peak in south wales 23 times in the month she turns 23 to raise money for charity while also wearing a different hat on the way up and on the way down adding up to a total of 46 hats.

Sikandar Sadak Ka(hi)

Sikandar is union leader of workers in a factory which is owned by Chawla a corrupt criminal lawyer . when he refuses to take bribe. Sikander and his family are killed .Sikander returns back. how will he face Chawla ?

Joscho Stephan - Live In Concert With Richard Smith(it)

The Last Witness(de)

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.