The Gorevision's System(2015)

Obesity: The Post Mortem(en)

Documentary revealing just how dangerous too much fat is to our most vital internal organs. The programme follows a specialist pathology team as they conduct a post-mortem on the body of a 17-stone woman whose body was donated to medical science. Their findings, as they dissect the body and its organs, are startling, exposing the devastating impact of obesity with stunning visuals and fascinating medical facts. Morbid obesity reduces life expectancy by an average of nine years and is blamed for over 30,000 deaths in the UK every year. With 65 per cent of people already overweight or obese, this extraordinary film is a powerful contribution to the debate about fat, food, lifestyle and how the health service will cope with the growing obesity crisis.

...E Continuano a mangiare Fagioli(it)

30 Years of James Bond(en)

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

In Search of James Bond with Jonathan Ross(en)

Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.

Shohei Imamura: The Free Thinker(fr)

Documentary about Japanese film director Shohei Imamura.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Les dents de la mer: Un succès monstre(fr)

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Iron Maiden: Rock in Rio 2013(en)

Iron Maiden at Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. Setlist: 1. Moonchild 2. Can I Play with Madness 3. The Prisoner 4. 2 Minutes to Midnight 5. Afraid to Shoot Strangers 6. The Trooper 7. The Number of the Beast 8. Phantom of the Opera 9. Run to the Hills 10. Wasted Years 11. Seventh Son of a Seventh Son 12. The Clairvoyant 13. Fear of the Dark 14. Iron Maiden Encore: 15. Churchill's Speech 16. Aces High 17. The Evil That Men Do 18. Running Free

Visconti: La verdad del melodrama(es)

Rif 1921, una historia olvidada(es)

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

Play Dead!(fr)

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

It Conquered Hollywood! The Story of American International Pictures(en)

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Full Metal Village(de)

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

The Ring Thing(en)

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

The Factory(hi)

This documentary film traces the struggle of Indian auto workers of the Maruti Suzuki factory in Manesar, near Delhi, in forming a union. Investigating the underbelly of class conflict and exposing a widespread system of injustice, the film focuses on the repression faced by the workers and their criminal prosecution.

Enfant terrible(sl)

A documentary film about the Slovenian filmmaker Boštjan Hladnik.

Classic Albums: Metallica - Metallica(en)

The story of the making of this remarkable album is told here via exclusive interviews with band members James Hetfield, Lars Ulrich, Kirk Hammett and Jason Newsted, archive footage and performance, and contributions from producer Bob Rock. We revisit the original multi-tracks of the album, as well as listen to previously unheard demo recordings. Featuring the five singles from the album, Enter Sandman, Sad But True, "The Unforgiven", "Wherever I May Roam" and "Nothing Else Matters", this is the compelling story of one of the biggest selling albums of all time, a true Classic Album.

What's in the Basket?(en)

A documentary on the making of Frank Henenlotter's Basket Case trilogy.

Henri-Georges Clouzot's Inferno(fr)

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

The Fearless Freaks(en)

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.