The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
An inside look at Jessica Piper, a Democratic Candidate running for a House seat in District 1 of Missouri. This is a snapshot of her mind and what it feels like to run a campaign in an overlooked place.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A man from rural South Carolina tries to find solace from the demons of his past by starting a Christian professional wrestling league. His goal is to use wrestling to evangelize his neighbors. However his passion and vision for his ministry are tested when his personal life begins to disintegrate.
A documentary about the Celts, the fans of the Bilogorac football club from the Croatian village of Veliko Trojstvo. Interestingly, the members are not locals, but people from Bjelovar, a city 10 kilometers away that has a much better ranked football team. Dressed in green and white, the Celts spend every weekend escaping from provincial life to support the players.
Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.
Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.
The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.
The story of community in the Deep South that is forced to deal with the struggles of ignorance, hypocrisy and oppression.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
SauAcker depicts the obstacles faced by Philipp, a young farmer determined to modernize his father's old-fashioned farm. His motto is "I'll do it my way". Philipp is fully committed and is even risking his relationship to attain his goals. The documentary paints a funny and charming picture of the two wayward heroes and presents an entertaining angle on the realities of contemporary society.
Pseudo-ethnological documents about two villages which, without roads and electricity, "stopped existing"
A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.
In Turkey far too many women are still unable to read and write, and all they see in their life span is being forced into early marriage and relegation to the home, where they look after extended families and more children than they can feed. The girls are portrayed in their homes, together with the strongest supporters of their emancipation through education: their mothers. Girls of Hope portrays five girls who struggle for their education and, despite all the difficulties, try to hold on to their hope for a better future.
"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).