Kalyana Krishnan (Mukesh) is part of an orthodox Brahmin family who still follow the caste system. He ends up marrying Nirmala (Annie), a Christian girl. To get the family's approval for the marriage, Nirmala masquerades as a Brahmin orphan. The film continues with the tricks & travails that they have to face owing to this.
Kalyana Krishnan (Mukesh) is part of an orthodox Brahmin family who still follow the caste system. He ends up marrying Nirmala (Annie), a Christian girl. To get the family's approval for the marriage, Nirmala masquerades as a Brahmin orphan. The film continues with the tricks & travails that they have to face owing to this.
1995-04-16
5.2
Friends Avarachan and Madhavan Thambi are unaware that their babies were exchanged at birth. Later, when the truth is revealed, their long-standing relationship seems to fall apart.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Cesare Mancini is a tram driver who lives in Bologna. One day he accidentally hits a woman on a bicycle, the accident costs Cesare the relegation to a ticket seller.
Fight Club Rush 10 is a Fight Club Rush event on Nov 20, 2021 at Vasteras Arena, Vasteras, Sweden.
A driver on a non-stop race from New York to San Francisco gets detoured to Hollywood, where he winds up working as a publicity man for a movie studio and assigned to revive the career of a beautiful but fading star.
Once upon a time, in a far away, across the dark jungle, a castle in the sky, there lived a king of Evils with his evil guards. One day, one of his magicians showed the magic mirror and shows a beautiful human girl in this mirror, and told that if he wants to continue to be a king he must marry this girl. The story of "The Evil Marriage movie" revolves around the character of "Nur" (a human girl) who was kidnapped by the Evil's king guards and took her to unfamiliar world where she will have to marry the evil in order for others to live. But, there is someone who sneaks into the dark jungle to reach the evil castle and rescues her.
HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
A money minded youth who goes to the UK to earn big bucks and comes across a girl who had ditched her family for a boyfriend.
Misa Kuroi is a good witch, but wherever she goes, evil follows. When a dying girl appears out of nowhere shouting Misa's name, our heroine goes to work. Following the clues, Misa transfers to the prestigious Saint Salem School for Girls and joins the Drama Club. Soon all the girls depart for a mysterious Drama Camp, deep in the woods.
Both have the name Jadzia, besides the name they are also connected by a tennis racket. Jędruszewska is a champion of tennis courts, Maliczówna is an extremely charismatic owner of a sports store. Meanwhile, there is a fierce battle between two competing Warsaw companies selling sports equipment. The convergence of names and misunderstandings cause that the representative of the rival sports shop Jan Oksza confuses Jada. He tries to get the tennis champion to play their company's racket, but Jan takes Maliczówna for the champion. In the meantime, he acts as a sculptor, his friend. Among the gags and numerous misunderstandings between Jadzia Maliczówna and Jan Oksza germinate the feeling that eventually connects the two feuding companies.
Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.
A group of friends go on a vacation with some new friends that turn out to be vampires, they hire a famous vampire killer to help them.
The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.