
Circle's Short Circuit is an experimental feature-length work with neither a beginning nor an end—the film can be viewed from any random point. It moves through a circle of five interlocking episodes that describe the phenomenon of interruption in contemporary communication through various forms and modes, investigating causes, consequences, and side-effects. Genres shift along the episodic path of this circle, moving from documentary to essay, through collage, simulated live-coverage, and silent film. As the phenomenon of interruption is seen to be a pervasive part of these genres, the film attends to the act of watching moving images. At the center of the film is a documentary segment on the origin of the biggest upheaval in communication history: the invention of the telephone, initiated by the "man who contracted space," Alexander Graham Bell.

Circle's Short Circuit is an experimental feature-length work with neither a beginning nor an end—the film can be viewed from any random point. It moves through a circle of five interlocking episodes that describe the phenomenon of interruption in contemporary communication through various forms and modes, investigating causes, consequences, and side-effects. Genres shift along the episodic path of this circle, moving from documentary to essay, through collage, simulated live-coverage, and silent film. As the phenomenon of interruption is seen to be a pervasive part of these genres, the film attends to the act of watching moving images. At the center of the film is a documentary segment on the origin of the biggest upheaval in communication history: the invention of the telephone, initiated by the "man who contracted space," Alexander Graham Bell.
1998-01-01
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