Jean(2008)

Scénarios sur la drogue(fr)

The Nativity Story(en)

Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.

Willy the 1st(fr)

Willy, a boorish 50 something, finally moves out of his parents’ to start a new life

En moi(fr)

A movie director goes to the Paris Opera to shoot his new film. Lacking inspiration, he looks for ways out of his solitude and fear of failure. With each step forward, his imagination reveals itself to him, and mysterious characters lead him towards his desire to create and love.

Smile(fr)

During a glory night where she gets a prize for her performance as an actress, Françoise walks around radiant in the warm light that the eyes of the others cast. She glows in a dress, which fits her like a glove. Back home, the dress zipper resists. The lack of any help at hand suddenly gives her the extent of her loneliness.

Winter Love(it)

While a couple walks along the river, hunters hide behind a hill and friends in the forest recall the Dancer of Clavesana, a metaphor of free love that slowly vanishes into the winter landscape

The Things I Cannot Change(en)

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

Hara-Kiri(fr)

Hala(en)

A Muslim American teenager struggles to reconcile desire with family obligations.

Spidse albuer, blødende knæ(da)

15-year-old Julie feels that time stands still in the suburban neighborhood where she lives with her helpless mother and older sister. When her sister's boyfriend drops by the house a warm day during summer vacation she sees the opportunity to not only escape from the heavy weighing atmosphere of her childhood home, but also to satisfy some of the restlessness and curiosity that lives in her evolving teenage body.

Woven(en)

When a mysterious crime takes the life of her only brother, an Ethiopian American woman searches for the truth behind his death, while struggling to reconcile cultural expectations with her own pursuit of self-identity and love.

Clare sa Spéir(ga)

A neglected and overworked housewife reaches her record-breaking point. Attempting to break a world record, mother and wife Clare is determined to live in a tree for 32 days. In her absence, her reluctant husband is forced to take on the heavy burden of her domestic duties.

Isla chatarra(es)

Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.

Île de beauté(en)

Subjective observations of Corsica and Japan, accompanied by an eclectic soundtrack.

The Scape of the Monkey Woman(pt)

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Atomic Park(en)

Atomic Park is a place in the White Sands desert (New Mexico), not far away from Trinity Site, where the first atom bomb exploded in 1945. This national park provides an ambivalent landscape, as well suited for a picnic as for ballistic tests. A white desert, like a natural exhibition hall every movement can provoke diverse interpretations. Like a faint echo we hear Marilyn Monroe's desperate monologue and accusation about man's violence from The Misfits (1961). - Torino Film Festival

Marquise(en)

For her contribution to the 2006 São Paulo Biennial, Dominique Gonzalez-Foerster used the work of Oscar Niemeyer as a starting point for an exploration of the relationship between the exhibition space and the urban context, through an intervention in which she reproduces and multiplies existing columns, reconfiguring the reading of the rhythm and proportions of modern architecture. The Marquise, in Sao Paulo’s Parque Ibirapuera, an enormous concrete canopy designed by Niemeyer in 1954, is therefore the subject and setting of this film, in which the artist reveals her interest in ‘tropical modernism’ and develops certain recurrent themes in her work, such as ideas of shelter, playground or potential space. - MNAC

Gloria(en)

Gloria consists of a 5-minute looped tracking shot in a park in the centre of Rio, in Brazil. This park is a copy of a French-style garden, but does not have perfectly straight contours. The tropical climate and the abundance of the vegetation constantly overruns all human efforts to make it a sophisticated park. A woman’s voiceover soliloquises the tropicalisation of this garden and the possibilities for fictions that she could create in this place. - New Media Encyclopedia

De Novo(en)

In De Novo she turns the camera on herself, divulging the complicated thought processes behind the works she made for her five different invitations to present at the Venice Biennale. The video shows her unafraid to question the contexts of her own work in relationship to an ongoing inquiry into the nature of exhibition, exposition and narrative mythologies. - TIFF

No Return(en)

Noreturn examines Gonzalez-Foerster's own 2008 Turbine Hall installation TH.2058, which imagined the gigantic space fifty years in the future as a dystopian nightmare of steel bunk beds under the watchful gaze of Louise Bourgeois' Spider, an H. R. Giger-like touch. In the video, she unleashes a group of schoolchildren on the installation and watch as they move from playfulness to a recognition of the installation's menace, finally huddling under a Henry Moore sculpture. - TIFF