Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.
Louis, an eight-and-a-half years old autistic kid, arrives in his new school and is about to introduce himself.
Two polar bears are driven into exile due to global warming. They will encounter brown bears along their journey, with whom they will try to cohabitate.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
A short four-minute concept film unveiled in surprise at Studio SHAFT's 40th anniversary event in winter 2015, Madogatari. The first animated Puella Magi Madoka Magica work since Puella Magi Madoka Magica the Movie: Rebellion, it features the return of the full Madoka Magica cast and staff.
A 20 minute masterpiece with no dialogue necessary. A King of the Forest gathers elves, sprites, and other assorted woodland spirits for a night of festivities. The spirits frolic, dance, drink, and romance. Conflicts arise and are resolved. The puppetry here is top-notch, and the rear-projections of fire and water add an extra depth to the magical world. A trip to a mysterious and happy world.
This cartoon is directed against the brutality of professional Boxing. In parody form it ridiculed unworthy methods and means used to achieve victory.
Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.
While preparing her first exhibition, a young painter commits so passionately to her creations that she loses touch with reality and descends into hallucinatory chaos. Confined in a clinic, she progressively rebuilds herself through painting and the daily observation of a squirrel under her window.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Set in a city both past and present, on a deserted street where only the distant sounds of life blow by. The Hunger Artist stands alone, locked in his cage. Once famous and adored by the crowds, he now performs alone.
This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
Touch not the Outsiders, lest ye become an Outsider. But when two creatures belonging to opposite kinds - a lost little girl from the Inside and a demonic beast-looking Outsider - initiate an impossible coexistence on the same side of the forest, their bond seems to transcend their incompatible natures and the unnamed curse that has divided the world.
The two best rescue workers in the region take off for their umpteenth mission. Professionalism and efficiency all around, but things don't really go as planned.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
An educational short film featuring the character of Luxo Jr. demonstrating the concept of "front" and "back."