Queen of the Nightclubs Texas Guinan takes rides the range!!
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Stick-figure animation makes for a witty genre send-up of the Western.
The hero befriends a young school teacher, who adopts a child at his suggestion. The real father of the child, who neglected its mother and allowed her to die, tries to make the teacher believe the hero is its father, which brings about an interesting complication.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
Among the crosses of an old cemetery, two outlaws have a dispute over honour, companionship and greed.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
After discovering a new species of dinosaur on private land, Ruth is forced to contend with forces both big and small in her quest to get it out of the ground before anyone notices.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
A deputy marshal rounds up the bad guys and gets the girl.
The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.