Free and Easy(1921)

Brute Wanted(fr)

A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.

Mrs. Pussy Loves Animals(fr)

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

The Vagabond(en)

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

His Lord's Will(sv)

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

The Taxi Dancer(en)

A southern girl tries her luck as a dancer in New York City.

L'aéroplane de Fouinard(fr)

The Pill Pounder(en)

Charlie is a small town druggist trying to wait on trade and play a social game of poker in the back room.

Pony Place(nl)

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

Look Pleasant, Please(en)

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

Rigadin No Longer Loves Cinema(en)

Rigadin and his rival use camera/projector systems to reach their objectives.

Jus' Passin' Through(en)

At Thanksgiving, a tramp arrives in a homeless-hostile town.

The Golem and the Dancing Girl(de)

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Photographic Expressions(fr)

The main phases in the lives of a young couple, from when they meet and fall in love, until they have seven children, intimately linked to photographic art.

Polyteekkarifilmi(fi)

Polyteekkarifilmi (Polytekarfilmen) is a Finnish silent documentary film dating from 1924. The subtitle of the documentary is "The story of sport, polytheists and the gods of Olympia". The film aimed to raise travel funds for Finnish athletes traveling to the Paris Olympics.

Suvinen satu(fi)

The main characters are the artist Bertel von Bjelke and Hilkka Kanno the adopted daughter of the town councilor. Bertel is in love with Hilka, who, however, behaves badly with the artist. This does not prevent the artist from asking for the girl's hand from the town councilor Kanno, who accepts his friend's request. Kanto stresses, however, that the final decision is up to his daughter.

Rovastin häämatkat(fi)

Jaakkola, a priest with a bad memory, gets a prescription for a spa day from Dr. Viljo. Ruustinna plans to bring her daughter Elina and the local doctor together. Jaakkola finds the mail he forgot in his pocket, including an important wedding invitation. Rovasti and Ruustinna plan to stop at the wedding on the way to the spa, but things get complicated and there are enough misunderstandings in the knots of love.

Love in Quarantine(en)

A quarrelling couple are forced to quarantine together after the household maid becomes ill of an infectious disease.

Silent Movie(en)

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Resurrection of a Corpse(ja)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

The Tin Man(en)

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.