Conceived in 1922, conceptual design published in "De Stijl Nr. 5" (1923), but not realised until 1959.
Conceived in 1922, conceptual design published in "De Stijl Nr. 5" (1923), but not realised until 1959.
1959-01-01
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7.0Chosen the world’s protector against the Seven Deadly Enemies of Man – pride, envy, greed, hatred, selfishness, laziness and injustice – young Billy Batson accepts his destiny as Captain Marvel. Battling alongside Superman against nefarious Black Adam, Billy soon discovers the challenge super heroes ultimately face: is it revenge or justice?
6.8A retelling of the classic Canadian / American tall tale of the enormous lumberjack and his loyal companion, an equally huge blue ox.
4.0The Righteous Judge recreates the events that surround Jesus in teaching the principles of love, forgiveness and righteous judgment. In the story of the adulteress Jesus confronts the Pharisees with the simple phrase, “let him without sin cast the first stone,” and thereby teaches us of God’s immense mercy and grace. Caiaphas, who unrighteously judges a blind man sinful, is contrasted against the gratitude of the blind man when Jesus freely heals him.
8.0Those who recognize their own sins often rejoice that Jesus would want to help anyone so lost. Three such sinners come to Jesus in need of hope, healing and forgiveness. Weaving together many New Testament stories, this tale shows how Jesus generously extends His mercy to each sinner and lovingly brings the repentant back to the fold.
5.0A short animation based on the Edward Lear poem
7.0A young boy imagines his mother to be an airplane who travels to exotic lands.
7.4When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
5.0With Jean-Baptiste at the front, Louise takes care of Bébé with the help of Uncle Pierre. The letters she receives from Jean-Baptiste worry her, but Pierre distracts Bébé with a box of tin soldiers. That night, Bébé has a dream of his soldiers vanquishing the enemy, and the next morning, Jean-Baptiste surprises the family by returning home.
5.8A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
5.8I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
6.2A man wakes up in a blue room. He's stuck and he can't escape. A window is his only connection to the outer world. It filters the reality in a very mysterious way.
6.5We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
5.8Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.
6.3Two insects fight over the hand of a beautiful lady.
In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.
6.2A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.
7.3A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.