Filmmaker Jenny Rohrer explores the growing difference in voting patterns between men and women.
"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…
In a series of long interviews, 12 prime ministers talk about their experience in the upper echelons of power. The function of prime minister, torn between the president and the parliament, appointed without necessarily being elected but responsible for everything, is at the center of debate. With the exception of Jacques Chirac (1974-1976 and 1986-1988), deliberately left out because of his image as French President, those who governed France for the past 35 years agreed to discuss the exercise of power, as seen through archive footage, but also how they experienced it personally. Filmed in the same studio and sitting in the same chair, 12 French prime ministers talk freely about their time in office, from their appointment until their resignation.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Following Germany's transformation as a society from the Holocaust to becoming the moral leader of Europe as the country embraces hundreds of thousands of refugees.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
An extremely rare subject by the famed still photographer. A 1934 short.
A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.
After the Ballot is a full-length documentary portraying the gruelling everyday life of two Members of Quebec's National Assembly who, although at opposite ends of the political spectrum, share the fact that their sole power lies in their convictions. One is Daniel Turp, the PQ Member for Mercier. The other is Charlotte L'Écuyer, Liberal MNA for Pontiac. The film aptly illustrates that ordinary MNAs have very little authority since the real power is held by ministers who are subject to the ups and downs of a globalized economy. Meanwhile, their fellow citizens keep asking for the impossible…
Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.
An animated history of American health care provider, Planned Parenthood.
Explores the rise of modern slavery in the UK, giving a portrait of the dark world of forced labor through the eyes of the people involved.
Virgie's family feeds on the fishes that lurk under the industrial ships of North Harbor. Their alternatives are packs of tasteless gelatin found in the same waters. One morning when the fishes are dead and the sea's color is that of milk, uncertainty is born.
In a war that has left more than 25,000 wounded, ALIVE DAY MEMORIES: HOME FROM IRAQ looks at a new generation of veterans. Executive Producer James Gandolfini interviews ten Soldiers and Marines who reveal their feelings on their future, their severe disabilities and their devotion to America. The documentary surveys the physical and emotional cost of war through memories of their "alive day," the day they narrowly escaped death in Iraq.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.
This is the story of Val and Clare: a mother and a daughter. After the tragic death of her eldest daughter, Val left her kids and family behind and escaped into the Colombian jungle in order to search for her identity. Clare was only 11 years old when her mother left and couldn't understand what she was looking for. A son who became an addict, three break-ups and a fractured family remained behind. Now Clare is pregnant and decides to confront her mother, heal the wounds of the past and try to define motherhood on her own terms. Together they go on an intimate journey exploring the boundaries between responsibility and freedom, the power of love and the meaning of family.