Rebellious City(2015)

Wild Amsterdam(nl)

The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.

The Re-Up(en)

A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.

L'Épopée des gueules noires(fr)

Embassy of the Free Mind(en)

UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.

The Deminer(en)

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

De verkrotte droom(nl)

What if your house is no longer a home, but a bureaucratic nightmare? The residents of the Van der Pekbuurt in Amsterdam are fighting for a fair and sustainable renovation of their beloved working-class neighborhood. The houses are creaking and creaking, mold is rampant and it is almost impossible for the residents to get anything done when maintenance is in arrears. Cost savings are given priority, which is why the renovation plans are increasingly being stripped down. Will the Van der Pekkers succeed in enforcing a fair and sustainable renovation?

Ballymanus(en)

10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.

I'm Afraid It's a No(nl)

Eighteen-year-old Sofie is looking for a room in Amsterdam. So she has to interview for them. Time and again she has to convince the residents of student houses that she is the most suitable candidate for the vacant room. The competition is fierce, the residents are ruthless. Who is accepted by the group, who is rejected? How far will the candidates go? And what does that process of judging and being judged do to Sofie?

Asbestos(fr)

A cinematic and introspective look at the residents of a Quebec town—once the site of the world's largest asbestos mine—as they grapple with their community's industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.

De Platoschool(nl)

The Platoschool was founded in Amsterdam in 1983, a primary school for parents who wanted more than just math and language for their children. The founders of the Platoschool had great ideals, ideals that the parents of documentary maker Yara Hannema fell in love with. The children would grow into special people with a high level of consciousness, but the teachers ran wild in their strictness and discipline. There was beating and abuse of authority. The school was discredited and had to close its doors in 2002.

Houses of Poverty(fr)

Henri Storck’s militant short on Depression-era Belgium, set in Walloon slums on the outskirts of a prosperous city. Staged vignettes expose substandard housing, overcrowding, and numbed survival through claustrophobic, frame-filling images; a coda on slum clearance and “garden city” rehousing offers guarded hope.

But They Did: The Re-entry Of The Pike River Mine(en)

Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.

Mijn Noord(nl)

The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?

Dance Iranian Style(en)

A documentary film crew follows a young Iranian girl, Roya, after her request for asylum was denied and is forced to enter an illegal life on streets of Amsterdam. The film crew follows her from a distance trying not to intervene, no matter what occurs to her.

Vergeven of vergelden(nl)

In their practice, lawyers Klaartje Freeke and Wikke Monster strive to make the criminal justice system more humane. They encourage their clients not to focus solely on guilt and the sentence imposed, but also to consider the impact of what happened and their feelings about it. In every session, they seek to help their clients experience the benefits of looking not only at others, but also, and especially, at themselves.

Champs-Élysées(it)

A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.

The A’dammer - The Man Behind the Cabinet(nl)

The A’dammer - The Man Behind the Cabinet follows the life of designer Aldo van den Nieuwelaar. He designed the iconic A’dammer cabinet, an international design icon, with over seventy versions sold worldwide. Museums acquired his work, and he became a promising name in the design world. But Aldo was more of an artist than an entrepreneur, and his perfectionism clashed with commercial interests. His tense relationship with director Harm Scheltens of furniture manufacturer Pastoe, in particular, escalated into a years-long legal battle over money, recognition, and control.

Mother Land(fi)

When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.

Hans, Life Before Death(en)

Hans: Het Leven voor de dood (Hans, Life Before Death) is a documentary feature film about the life of the young composer Hans van Sweeden (1939-1963) and those who knew him intimately. The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties and the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. (Wikipedia)

Haven, Roaming Through the Night(nl)

Nocturnal life in the partly deserted dock area of Amsterdam. Director Marjoleine Boonstra encounters lone wolves, leading secluded lives in makeshift shelters, and people that work as pilots, night watchmen or skippers. According to a young pilot `it was actually like a dream', working by the IJ river at night. And this is what it looks like: a dream world. Between interviews, Boonstra makes her camera glide through the area, along the quay, across the water, along cranes, containers and sea-going vessels. A world of lamps, reflections and shadows. In this landscape of stone and metal, an extraordinary group of individuals lives and works. For example, an English woman cleans up a submarine for a party, a refugee from former Yugoslavia has created a place for himself and a night watchman has to `see to it that that boat stays where it is'. Peaceful music emphasises the relative quiet, in which the interviewees reflect on their lives and the harbour.