After graduating from a fashionable finishing school and touring Europe with her father, Selina Peake returns to the United States, where her father is accidentally killed after losing his fortune in a gambling den. Selina is reduced to teaching in a high school in the Dutch community at High Prarie near Chicago. She boards in the farmhouse of Klass Poole, a dull-witted market gardener, and finally marries Pervus DeJong, a poor and backward farmer. She shares the drudgery of her husband's futile life and finds happiness only in their small son, Dirk, whom she calls "So-Big."
This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.
Belle Bennett plays as the widowed mother of seven children living in Sioux City, Iowa. She moves with them to Cambridge, Massachusetts in order to educate her children with culture and give them every advantage. Bennett, who is unversed in financial matters, soon faces poverty for herself and her children. She takes out a loan from an unscrupulous lender (played by Richard Tucker), who is so impressed by the charm and valiant spirit of Bennett than he neglects to ask her for collateral. Bennett, however, is only able to partially pay her creditors. Marion Nixon, Bennett's eldest daughter, is shocked by her mother's actions and attempts to sacrifice herself to Tucker in order to clear her mother's obligations, even though she is engaged to marry a well to do Harvard undergraduate, played by Rex Bell. This film is believed lost.
Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.
Don Counsel, a New Yorker who is traveling through southern Florida, is being framed by Ernest Riever for a murder he did not commit. Riever is holding the real killer captive on his yacht while detectives are searching for Counsel. Pen Broome, who lives with her father (Henry James) on their rundown estate, tries to help Counsel out. Riever's men find Counsel and trap him in a ballast bulkhead, but Pen rescues him.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences. (stumfilm.dk)
Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.
The Last Bohemian (Hungarian: Az Utolsó bohém) is a 1912 Hungarian film directed by Michael Curtiz. It was Curtiz's debut film as a director.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
A gin bottle is personified with a spirit. As the gin bottle changes hands the spirit of the bottle tempts the various possessors to take a drink. A pro-prohibition movie, the story exemplifies the tragedies of drinking.
Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.
Kalle Utter is theologian student at Uppsala University sometime during the latter half of the 19th century.
After Count John Karpathy, belovedly known as the Nabob, falls ill while entertaining the peasants of his estate, his dissolute nephew and sole heir, Count Bela, comes home from Paris to acquire his inheritance. The Nabob recovers and, after hearing Bela's plan to squander the money, resolves not to give Bela anything while he lives.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.