Arthur Johns' 10-minute experimental film is a personal essay on colour effects, set to a hypnotic soundtrack by Robert Wyatt. Although his initial art training was in painting, Johns quickly realised that his favourite medium was film. He made Solar Flares in the early 1970s, shortly after graduating from London's Royal College of Art, where he had already made a number of award-winning experimental shorts.
Arthur Johns' 10-minute experimental film is a personal essay on colour effects, set to a hypnotic soundtrack by Robert Wyatt. Although his initial art training was in painting, Johns quickly realised that his favourite medium was film. He made Solar Flares in the early 1970s, shortly after graduating from London's Royal College of Art, where he had already made a number of award-winning experimental shorts.
1973-01-01
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Thanhouser's version of William Shakespeare's Romeo and Juliet.
“Romilly” follows a young girl in school uniform larking amongst the bunk beds in the Turbine Hall with a group of friends. We focus on her captivating face, her red hair and rosebud mouth, as she chats with her friends, looks at her hand-held screen, reclines, and sleeps on the bunks. - LEFFEST
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Francesca and Joe are astronauts who've become lovers. Bunkered up in their little spaceship, Earth is a distant reality, everything they want is right here. But their mission is ending, and Joe's wife is waiting for him back home. Thinking she's going to lose him, Francesca takes desperate measures, leading to terrible and unintended consequences.
A confirmed bachelor learns that he will inherit his late uncle's fortune only if he marries, which he does reluctantly. Shortly afterward he returns to his bachelor lifestyle but realizes he can't get his wife's face out of his thoughts.
Albertina is a celebrated dancer whose fame is widespread. However, she has overtaxed her strength, is forbidden to appear in public and is obliged to seek quiet and rest. She retires to her Aunt Mary's home, a beautiful and restful country place, where she secures the much-needed seclusion and comfort. Next door to Aunt Mary there lives a very handsome fellow who has often admired Aunt Mary's niece and to tell the truth she admires him. Growing restless under the enforced retirement, Albertina strolls down to the lake where the water-lilies grow. She pulls a number of them into a garland which she holds bewitchingly above her head. They give her an inspiration and involuntarily she pirouettes, bends and swerves her lithe and willowy form like a nymph of ethereal sweetness. The young man who lives next door is rowing upon the lake; He see Albertina dancing on the velvety field of grass, is charmed by her, and rushes toward her.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
The big whale round-up at Trinity Bay, Newfoundland, is brought to the screen with a realism not often found in fish stories. Cameras are on hand to record the annual sea drama as herds of pothead whales are driven inshore by fishing boats and killed in shallow water. There is tense excitement as, their escape cut off, the marine monsters fight for their lives. Reporter Fred Davis is told about the commercial uses of whale meat and whale products, particularly in mink farming.
In a wordless story with semi-surreal stage sets, a poor black man ventures from his ramshackle rural home to the big city, where a dancing girl in a dive two-times him. He returns to his home and wife's arms.
The ultimate Bobby Jones golf series reaches its climactic conclusion on board a speeding train to oblivion.
Carlos Gardel and guitars performing "Añoranzas", vals written and composed by José María Aguilar.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.
A little entry from the RKO shorts department serving also as an audition-type (stick 'em in one of these and see if they appeal to a real audience, and make a buck or two at the same time)film for studio contractees and budding starlets. And, surrounded and supported by veteran character actors, such as Jack Norton, Jack Rice and Harrison Green, the likes of Tony Martin, Phyllis Brooks and Lucille Ball usually looked pretty good. And soon made for themselves, with studio help, rather nice Hollywood careers.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Climate change seems like a problem of a far distant future. We just go on with business as usual. But climate change, just like the loss of biodiversity and the current pandemic, is a consequence of how we treat nature. Corona is a wake-up call that has disrupted all of our lives. All attention goes towards solving the current problem: controlling the SARS-CoV-2 virus. But prevention is better than cure. To do this, we have to look at how infectious diseases emerge and spread. World-renowned artist Steve Cutts created an animated film for the Nicolaas G. Pierson Foundation, in which he not only visualizes the factors that cause pandemics, but also points at the urgent measures that are needed to reduce the risk of future pandemics.
This sci-fi action-comedy follows the adventures of Crusoe, an astronaut stranded on an alien planet teeming with hostile life.
A family struggles to cohabitate with a malevolent spirit that becomes violent whenever its presence is acknowledged. Based on the viral NoSleep story "You're Going to Notice a Woman in Your Home, You Must Ignore Her...".