This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.
This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.
1991-01-01
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X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
Marseille, midsummer. Lying on their beach towels, Jess and Alana talk about the previous night's beach party.
An enticing, sensual animated short film directed for a project on the theme "Love", by five students of GOBELINS
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
Briana has just turned 12 and notices that her friends are starting to like boys, which triggers insecurities about her own personal and bodily development. She is confronted with various situations that make her feel seen by others, after a frank conversation about her insecurities with her older sister, Briana realizes that growing up doesn't mean not being herself.
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
Pola is a beautiful but poor girl, a locksmith's daughter. Unexpectedly, she's successful as a stage dancer. After her success, she breaks with her fiancé and becomes the lover of a rich admirer. However, the fiancé does not accept her departure.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
An ancient ring which renders power over whomever wears it has come back and wreaks havoc on a small town. Fortunately, the original possessor's descendant recognizes the power and helps a vacationing couple devise a plan to get the ring back to its rightful place.
Couples learn how to reawaken their sexual desires.
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Upon arriving to a small town, a drifter quickly gets into trouble with the local authorities — and the local women — after he robs a bank.
Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.
Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.