Children of the Camps(1999)

Zeitgeist(en)

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

The Girl with the Rivet Gun(en)

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

Spy from a Distance(fi)

The secret past of a World War II-era intelligence officer comes to light when his grandson, actor Joonas Saartamo, begins to investigate his grandfather's activities as the leader of a long-range reconnaissance patrol. Meeting various experts along the way, Saartamo discovers a new insight into the crucial role of long-range reconnaissance patrols in war. He also realizes how strongly the weight of his grandfather's war experiences has been passed down from generation to generation, affecting him directly.

German Concentration Camps Factual Survey(en)

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

Facing the Phantoms(en)

French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.

The Last Ring Home(en)

The Last Ring Home is a made-for-TV documentary that recounts the story of how a WWII hero's last wish was lost, found, finally fulfilled and then lost again. The discovery of the story by the hero's grandson is as big as the discovery of the ring.

Little Ships - The Miracle of Dunkirk(en)

To mark the 70th anniversary of the Dunkirk evacuation, Dan Snow tells the story of the 'little ships' which made the perilous cross-channel voyage, as 50 of them return to France.

Rommel, chef de guerre(fr)

Hélène Berr, une jeune fille dans Paris occupé(fr)

Syndrome K(en)

Syndrome K is the true story about a highly contagious, highly fictitious disease created by three Roman Catholic doctors during the holocaust to hide Jews in a Vatican-affiliated hospital.

Hitlers Sista Dagar(en)

Breakpoint: A Counter History of Progress(fr)

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

If Only I Were That Warrior(it)

If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

The Liberation of Auschwitz(de)

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

Wilczy szaniec(pl)

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

John Ford Goes to War(en)

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

The King Who Fooled Hitler(en)

In a tale of double agents and decoys, this documentary reveals, for the first time, the story of King George VI's elaborate ruse to divert German attention away from the Normandy landings in 1944.

A Deal With The Devil(he)

The story that was silenced for 91 years was revealed for the first time: in August 1933 the leaders of the Zionist Organization signed "transfer agreements" with Nazi Germany. As part of the agreement, about 60 thousand Jews with a lot of property will arrive in the Land of Israel. Is it permissible to make a "contract with the devil" to save people?

Circus(et)

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?