What is a socially acceptable conversation when your family's killer sits down to dinner? 'Unforgiven' explores the interactions between murderers, rapists, thieves and their victims in this documentary exploring the power of restorative justice, forgiveness and reconciliation 20 years after the Rwandan Genocide.

World War II propaganda film made to show an American audience that the Dutch were and would continue to be valuable allies in the fight against the Axis powers.
6.0Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.
0.0History is Marching is a feature length documentary analysing the rise in tensions between major powers across the globe over the course of 2018. The film follows western history from 1945 to the present day, before looking at how capitalist society is today breaking down into the largest crisis in its history. Socialism or extinction?
7.0Presenter and former England football captain Gary Lineker follows in the footsteps of his grandfather, Stanley Abbs, to explore a brutal but often overlooked chapter of World War Two.
A history of racialism in Rwanda, from the European colonization to the 1994 genocide.
Travelling the length and breadth of Britain, the film explores the impact of teenage killings on families of different religion, race and class.
5.3World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.
7.1Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
6.6Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
0.0Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
5.4A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.
7.5A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
This short-form documentary focuses on the true story of Alfons Heck, who as an impressionable 10-year-old boy became a high-ranking member of the Hitler youth movement during World War II. The story is told in his own words. This film originally aired as part of the "America Undercover" series on HBO.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
6.0A look at the feud between graffiti artists King Robbo and Banksy.
0.0Story about the suffering of the Serbian people on Kosovo and Metohija based on Metropolitan Amfilohio's book "The Chronicle of the New Kosovo Crucifixion".
7.0Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
8.22010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.
The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.
