Movie: Strangers
Top 7 Billed Cast
Iris Garret
Tragedy
Trifaccia
Jester
Bauta
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An untidy room. Empty beer tins, empty wine bottles, a half-empty glass of whisky... A girl is getting up absent-mindedly and starts preparing herself. YOUR morning starts. Lazy and hard-to-wake-up YOU. The emoticon is ME watching over YOU. I play tricks on YOU, while YOU are playing the guitar and drinking. One day, in town, YOU walk past THE CHILDHOOD FRIEND who is buying an Anemone I liked, and remembering that I liked them, YOU rush out to buy them. THE CHILDHOOD FRIEND displays the Anemone with care. One day, years after I died, YOU hear noise from the closet. Opened, YOU see MY garden right in front of YOU. Overflowing emotions of ME and YOU. When exiting from the room with memories, a picture of the Anemone that YOU painted is displayed in YOUR new room.
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Thalion Ltd.(es)
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5-year-old Robert lives in a newly built suburban area where all houses look exactly the same.
La chaqueta del botones(es)
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An animated film made without the use of a camera using the technique of drawing and painting directly on a film strip, illustrating a grandfather's ballad, the protagonist of which seeks an explanation for the cruel phenomena of the world around him. Rockets thrown to the ground and bombs exploding, a car falling off a cliff, a driver driving a man on the street or a policeman firing a gun at an opponent - images of this type of catastrophic behavior are intertwined with the recurring image of a man running somewhere.
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Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
