Four children want to invite their friends to a picnic, but they don't know how to use the telephone. Suddenly, the room goes dark and the phone becomes large enough for them to climb into. They walk through a tunnel and meet a man named Telly, who takes them into the world of Telezonia, where they are shown various kinds of telephones. They meet several costumed characters, such as Question Mark, who teaches them how to answer the phone; Q and Z, who show them how to use the phone book; and Exclamation Point, who teaches them how to place a call. By the time they leave Telezonia, they are full-fledged telephone users.
Joe
Lisa
Paul
Larry
Question Mark
Q
Z
Parenthesis I
Four children want to invite their friends to a picnic, but they don't know how to use the telephone. Suddenly, the room goes dark and the phone becomes large enough for them to climb into. They walk through a tunnel and meet a man named Telly, who takes them into the world of Telezonia, where they are shown various kinds of telephones. They meet several costumed characters, such as Question Mark, who teaches them how to answer the phone; Q and Z, who show them how to use the phone book; and Exclamation Point, who teaches them how to place a call. By the time they leave Telezonia, they are full-fledged telephone users.
1974-11-01
0
A tribute to the legendary game, this short showcases Skull Kid’s dark origin story. Our take on how the Zelda Universe could be realized in film. A labor of love for all those involved, this is a gift to the fans.
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?
When Josh gets the opportunity of a lifetime to audition for Rainbow Puppy’s Broadway musical, Josh and Blue skidoo to NYC for the very first time where they meet new friends and discover the magic of music, dance, and following one’s dreams.
Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.
A made for TV documentary about the creation of Paul Simon and Derek Walcott's controversial and ultimately flop of a musical, "The Capeman". Explores the story of the production of the musical as well also the story of Salvador Agron and the Capeman murders.
A sci-fi, eco-conscious fantasy about a 14-year-old heroine, Suzu, a descendent of a distinguished shaman who saved people from catastrophe in the past. Suzu sets out on a journey, along with the spirit of nature, Coluboccoro, to regain peace and nature to the ruined villages.
The story of a Christmas tree is told through the 'voice' of the tree itself. The tree has big ambitions, doing everything it can to grow so tall that it reaches the sky. Featuring extraordinary photography, the film follows the adventures of its life from sapling to maturity. One December day, everything changes when a little boy falls in love with the fir tree.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
Fate/Prototype is a reimagined version of Kinoko Nasu's original version of Fate/stay night. The storyline takes place eight years after the tragic Heaven's Feel. Here, the Holy Grail is still the so desired object. However, the darkness under this so-called "Grail" is revealed while the characters proceed to fight against each other in order to win.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.