The Way Out Electronics Company markets a new colour television set, complete with "fourth dimension", which transmits physical objects across the air and gives the viewer power over the action on the screen. The chief salesman of the company arranges a demonstration for a wealthy eccentric. As he flips the channels the unseen eye of the camera catches the beautiful women of Paris taking off their clothes.
Girl on Left Bank / Card Dancer
Girl in Bath / Nude in Woods
Burglar
Egyptian Belly Dancer
Stripper
Old Man
Artist
The Way Out Electronics Company markets a new colour television set, complete with "fourth dimension", which transmits physical objects across the air and gives the viewer power over the action on the screen. The chief salesman of the company arranges a demonstration for a wealthy eccentric. As he flips the channels the unseen eye of the camera catches the beautiful women of Paris taking off their clothes.
1965-08-20
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A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.
A door-to-door salesman of dental appliances encounters beautiful, well-endowed nude women everywhere he goes.
To get a job and marry the nice Yvette, a quilt teacher, Julien goes to Paris. On the station platform, he swears loyalty to her, but as soon as he arrives in the capital, the seductive provincial wreaks havoc. His insatiable landlady, all the saleswomen of the shop where he is hired as an accountant, at the slightest pretext, solicit him, undress and abuse him. Finally arrives the boss, Joëlle... who is the exact double of Yvette, without her pigtails! Julien then loses his head and falls in love with the double.
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume and Veronique, form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.