Movie: Kick Me Again

Top 4 Billed Cast

Károly Huszár
Károly Huszár

Puffy

Mildred June
Mildred June

Billy Engle
Billy Engle

Professor Lightfoot

Bud Jamison
Bud Jamison

Edward Jamison - Jealous Husband

  • HomePage

  • Overview

    Don’t expect much in the way of a plot from Kick Me Again. When a married student falls for her portly dance instructor, Puffy is forced to flee in a ballet tutu from the clutches of her jealous husband. The usual slapstick complications ensue before the cross-dressing funnyman finally locates a new suit of clothes. The viewing pleasure comes not from the run-of-the-mill gags and storyline but from seeing a master wring every ounce of comedy from his ungainly outfit. Preserved by the Academy Film Archive, in partnership with Universal Pictures, in 2013.

  • Release Date

    1925-11-24

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

Similar Movies

Pickup on South Street
73%

Pickup on South Street(en)

1953-05-27

In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.

The Robe
68%

The Robe(en)

1953-09-16

Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.

The Chair
60%

The Chair(en)

1963-08-24

Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

Projection Instructions
0%

Projection Instructions(en)

1976-06-13

Regrettably, the labour of projectionists is usually only considered by the audience when they ‘screw up’. This film offers an alternative opportunity. Preserved by the Academy Film Archive in 2014.

Venusville
0%

Venusville(en)

1973-01-01

No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.

I Don't Know
33%

I Don't Know(en)

1971-11-09

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

Picasso
0%

Picasso(en)

1973-04-08

“When Picasso died I wanted to make the first post-mortem documentary, as I knew would happen anyway, and cheaply. The film took four hours to finish from camera to print and cost a little under $5." Preserved by the Academy Film Archive in 2008.

Frannie's Christmas
100%

Frannie's Christmas(en)

1993-03-26

As Christmas approaches, Frannie Stein learns from her snide friend Gloria Oestriger that there is no Santa Claus. Frannie's disbelieving, but her father confirms the horrible truth. Frannie enlists the help of her younger brother, Kenny, and they go to a graveyard to dig up some parts, which they assemble in the Stein basement. Soon, they've finished their creation and are ready for revenge on Gloria. Who says there's no Santa? Preserved by the Academy Film Archive in 2012.

Harlan County U.S.A.
75%

Harlan County U.S.A.(en)

1977-01-23

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Food and Magic
50%

Food and Magic(en)

1943-11-18

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

Odds & Ends
73%

Odds & Ends(en)

1959-01-01

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Eyes
55%

Eyes(en)

1970-12-22

“After wishing for years to be given the opportunity of filming some of the more “mystical” occupations of our Times – which the average imagination turns into “bogeyman”… viz: Policemen, Doctors, Soldiers, Politicians, etc. – I was at last permitted to ride in a Pittsburgh police car, camera in hand” - Stan Brakhage. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2011.

Miracle on 34th Street
74%

Miracle on 34th Street(en)

1947-06-04

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Lord Jim
68%

Lord Jim(en)

1965-02-15

After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.

Human Desire
67%

Human Desire(en)

1954-08-06

A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife and murder. Preserved by the Academy Film Archive, in partnership with Sony Pictures Entertainment, in 1997.

The Big Country
76%

The Big Country(en)

1958-09-30

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

Oliver!
70%

Oliver!(en)

1968-09-26

Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from the workhouse and joins up with a group of boys headed by the Artful Dodger and trained to be pickpockets by master thief Fagin.

Advise & Consent
71%

Advise & Consent(en)

1962-06-06

Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.

Where the Sidewalk Ends
72%

Where the Sidewalk Ends(en)

1950-07-07

A police detective's violent nature keeps him from being a good cop.

Leave Her to Heaven
74%

Leave Her to Heaven(en)

1945-12-25

A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.