Angela (Elisabeth Röhm), a morally bankrupt acting coach, helps slimy criminals avoid prison by training them how to appear innocent in court. But when a former client pegs her as his next murder victim, Angela starts running scared and realizes her past mistakes. Written and directed by Colleen Patrick, this screwball comedy also stars Eric Roberts, Sean Patrick Flanery, Jim Holmes and Rick Overton.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
The murder of a youngster creates confusion among a few cops when they find out that the one accused in the crime has a look-alike!
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Sonic Conversion: the Freedom Fighters develop a De-Robotisizer and try it out on Bunnie. Dulcy: After Dulcy exhibits strange behavior, Sally discovers she's going through a rites of passage state of her adolescence. The Void: After Sonic is almost sucked inside the Void, he finds a huge ring which Sally believes is an ancient relic but which turns out to be a trick of Nagus. Spyhog: After Antoine saves Sally's life during a raid, Sonic can't stand his bragging and zips in to see Uncle Chuck, who finds out his bug in Robotnik's hardware is malfunctioning.
Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.
Salim decides to take the coffin of a deserted body to his hometown. But this journey turns into an adventure where Salih and his travel buddy Nihal fight against serial killers and bad guys. When Nihal's mom is taken hostage for revenge, things take an unplanned turn. Now they're wanted as serial killers and have to wear disguise to not get caught.
Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.
An in-depth look at the parallel lives of renowned singer Whitney Houston and her daughter Bobbi Kristina.
A film-memoir about the first honest conversation between an adult daughter and the father with whom she had never had a close relationship. Several days after the meeting, her father vanishes without trace once more, this time forever.
Hairi and Fatin are close friends. Mira, who is also Fatin's best friend, admits that she likes Hairy. Fatin helps them to unite and get married. Over the years, Mira is jealous of Hairi's friendship with Fatin. Hairi's mother persuades Mira to make 'nasi kangkang' in order for Hairi to obey her. To achieve her intention, Mira is willing to sleep with the shaman.