Two chorus girls leave Milan to get to the famous Totò's theatre company. Unfortunately the bus they are on breaks down and they ask for a lift, but the driver gets too fresh with them and they decide to continue the journey with any means of transport, including bicycles.
Two chorus girls leave Milan to get to the famous Totò's theatre company. Unfortunately the bus they are on breaks down and they ask for a lift, but the driver gets too fresh with them and they decide to continue the journey with any means of transport, including bicycles.
1951-02-27
6
Princess Pearl of Flowerland is sent to Midland at a young age to learn her ceremonials duties. Her mother, the Queen Mother misses her daughter very much that the King orders his sister, the princess, to return home. However, the princess has fallen in love with General Wing of the Midland army and is reluctant to part from him. As their boat approaches the Flowerland border, Pearl and Wing save the life of a girl named Ying, who seeks to throw herself into the sea after running away from an arrange marriage. Pearl, Wing and Ying are attacked by pirates and Pearl falls overboard in the ensuing chaos. On arrival in Flowerland, the King mistakes Ying for his sister, while Pearl is saved by Ying's father, Million.
With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.
Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
A blood-thirsty Santa wreaks havoc on the set of an eccentric adult film director's latest production.
A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.
Assassin Nanjo goes on a solitary mission to take revenge on the man who trapped him into a complicated drug deal.
Recorded at The Troubadour in West Hollywood, California, February 4, 2003.
Meet Me Tonight was the American title for the British-filmed Tonight at 8:30, adapted from the Noel Coward stage production of the same name.