Helpless Stones(2010)

Whirlpool of Joy(ja)

The second TV series by Kiyoshi Kurosawa made just after the pop of the economic bubble in Japan. His comical (and melodic...) analysis of Japanese society corresponds to Godard's films about French society in the 60s.

Rate Me(en)

A portrait of teen escort, 'Coco'.

Rewind 2: 1996(en)

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Re-re-repeat(en)

Re-re-repeat A rhythmic dialogue between sound and image: exploring space, corporeal phenomenology and chance outcomes, which alter perceptions of time and memory.

People(en)

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

People(en)

Six vignettes pit an assortment of characters against each other in everyday situations.

Melenas - Bilbao BBK Live Festival 2024(fr)

Photograph(fr)

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.

Pinky I Love You(bn)

The Marriage of Convenience(pl)

Małżeństwo z rozsądku ("Marriage of Convenience") is a Polish musical comedy from 1966 directed by Stanisław Bareja.

Summerfield(en)

When teacher Simon arrives in a small, secluded village to take over the local school, he is surprised to discover that his predecessor has disappeared without a trace - and that nobody seems too concerned about it. As Simon probes deeper into the disappearance, the inhabitants of a forbidding estate called "Summerfield" take on more and more significance.

Stripped(he)

Alice wakes up with a terrible feeling that she had been raped. Her attempts to repress these nightmarish thoughts collapse, as she finds herself petrified and unable to get out of her apartment. Just across the street lives Ziv, a 17-year old gentle and gifted musician who faces his own loss. Fate will soon join these two characters together and reveal how a crisis can produce both destruction and growth, violence and grace.

The Face of Fear(en)

A young Iowa schoolteacher, thinking she is dying of leukemia, goes to San Francisco, where she hires a mob killer to take her life. However, she soon changes her mind, and with the help of the local police, tries to find the killer before he fulfills his part of the bargain.

The Golden Hour(en)

Two lovers chase the last hour of light as it blooms and fades. He is losing himself and she is the keeper of his memory. There is no time. There is all the time in the world.

Carma with a C(en)

An influencer defends her tech CEO girlfriend from the haters on social media, only to discover that her Ms. Right is addicted to more than power.

Stop-over Forever(en)

The flight attendant Sue Chambers becomes frightened for her life when she discovers that one of her coworkers was killed because the murderer thought he was killing her. Her fear does not prevent Sue from looking into the matter and trying to learn the killer's identity.

Mayordomo para todo(es)

Carlos, a young "playboy" who lives on the Costa del Sol, has a servant named German who has made him believe he has a degenerative disease by maintaining many sexual relationships, and that he will die if he continues doing so. But Carlos does not want to lose his playboy reputation, so German, his "faithful" butler, substitutes him in bed while Carlos convinces all his conquests that he prefers to make love with the lights off. But the plan is endangered when Carlos meets a girl and wants to marry her.

L'utilité des rayons x(xx)

Georges Hatot and Gaston Bretaeau with Henri Vallouy, a Gaumont employee, acting as cinematographer. Breteau himself seems to have taken the main role in most of the films and here plays the woman in drag who is terrorized by the X-ray camera at a customs checkpoint while trying to smuggle contraband through.