Movie: Tell Me No Secrets
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Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

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Naren a young boy from a fisherman family of Sundarban. He is very curious about fishing at jungle. One day Naren manage to go to the forest with his father. At night when everyone is busy for fishing, tiger attacked his father and move into the jungle. Everyone follow the tiger to catch body. Naren run with them and lost into the forest. He is rescued by a young girl from tiger attack and safely take Naren to her jungle tree house area. Naren comes to know her name is Jhinuk. She is the only daughter of forest dacoit Rahaman. N

1-2-3(es)
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

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