In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
1985-01-01
6
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
Irelands Number 1 comedian Tommy Tiernan’s live stand up show Ok Baby filmed at this years (2007) Bud Light Comedy Revue at the Iveagh Gardens, Dublin with extra bonus material This performance was filmed in July 2007. In typical Tommy Tiernan style it’s not for the faint hearted or ‘easily offended’ – wicked, wild and ferociously funny, nothing is sacred. Chapters: Opposite of Mass Farmer Time Touch Me Outdoor Lover Man Dark Matter Hot Rain No God….T-Rex
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
This movie revolves around the story of an innocent girl (Nawal) who was married to a rich and possessive man who still wants her back after their divorce; however she meets a hair stylist (Shoukry) and falls in love with him. They get married but her first husband starts torturing Shoukry so he can leave Nawal but he refuses. Eventually, acts of revenge begins from both Nawal and her ex-husband.
Vermin Supreme is no ordinary presidential candidate. Promising a free pony for every American, a fully funded time travel research program, and unprecedented zombie preparedness initiatives for a new American Republic, he truly is the people's candidate and the friendly fascist par excellence. "Who Is Vermin Supreme? An Outsider Odyssey" follows Vermin Supreme's raucous 2012 campaign from the Rainbow Gathering in the the Cherokee National Forest to the Democratic and Republican National Conventions to Occupy Wall Street protests, and all the way to heart of the American Empire in Washington, DC. From the unsettling gravitas of marauding riot police to the unbridled joy of songs sung for police officers and pranks played on anti-abortion fanatics, "Who Is Vermin Supreme?" is certain to show you America as you've never seen it before.
Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.
Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.
A stage show for Kamen Rider Drive recorded live at the Nakano Sun Plaza Hall on October 11th and 12th, 2015.
Two sleepwalkers, Martha and Quentin, check into a hotel as returning guests and live parallel lives during their waking hours. Little do they know that in their sleep, they fall for each other time and time again. The film poses the question: When it comes to human connection, are we actually sleepwalking through our waking lives?
After having witnessed her father's brutal murder, three-year-old Alma and her mother fled their war-torn homeland and settled in Iceland. Now, 25 years later, Alma is serving time in a psych ward for murdering her boyfriend, a crime she can't remember. But when she discovers the boyfriend is still alive, Alma decides to escape and kill him after all.
Three cosmonauts bid farewell to their loved ones and embark on a journey into space, where they encounter discoveries in uncharted territory yet to be explored by humankind.
The plot revolves around three men waiting to be deported in a prison. To escape the monotony, they form chess pieces from their bread rations, with which they then play against each other. Grünstein, a Polish Jew, proves to be a real talent, because although he is a beginner, he manages to defeat even the experienced player Lodeck, a German sailor, with his "Grünstein Variant".
In the early 1980s Rodney Rude was hired by his friend Barry Wain to set up the first stand-up comedy venue in Sydney, The Margaret Lane Comedy Store. With Rodney Rude as the driving force, the comedy scene became huge and Rodney was as busy as a five peckered spider. This was the heyday of pub comedy and this video of the 'Rodney Rude Live, I Hate That' album, is a glimpse into this very funny period. This first Rodney Rude album epitomised his early comedy store period and along with his television appearances made Rodney Rude, with his catchphrase 'You Know What I Hate', a household name.The most frequently asked question over the years by Rude fans has been when will the 'Rodney Rude, I Hate That' video be available on DVD?The answer is: NOW
A group of sexy space vixens flies down to Earth, sets up a shop at a carnival (disguising their ship as a ride), and kidnap some earthlings in their scheme to conquer our planet. The humans, including Marcos, a crooked boxer and our hero, Silvia, his love interest, and a gang of comical mobsters out to kill Marcos, are taken to the women’s home planet. There they are held prisoner by the evil queen Adastrea and aided by her selfless twin Alburnia. Meanwhile, a standard issue hunky scientist back on Earth, who happens to be Silvia’s boss, tries to rescue them.
A New York City man, Alex, takes an off-season trip to the Hamptons in attempt to escape his routine life in the city. While trying to spend his time relaxing, Alex ends up lost, putting him in contact with some life-changing locals during his night of adventures.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
Three teenage girls break into a closed-off pool on a hot summer night, but when unwanted guests show up, their friendship is tested and one of them is left behind.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Short tourist film set on a tropical island where a sailor falls in love with a native girl.
Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
A puppet, newly released from his strings, explores the sinister room in which he finds himself.
It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.
A man comes home with his date to find that her dog, Wilfred, can speak to him.
A boy puppet falls in love with a girl puppet. In a cruel twist of fate,they are separated when they are purchased by different people. When they chance upon each other again, the boy puppet does everything in his power to return to her side.
After a violent episode in biology class, the outsider Lykke begins to change. There is something very wrong and soon a big showdown with the outside world awaits. The beast in her has been awakened.
A story about a boy whose recurring nightmare leads him to a spooky forest of magic and intrigue.
A man with arachnophobia buys a poisonous bird spider and sets it free in his apartment.
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
A young woman with unusual mind powers will become the greatest shaman of all time, if she accepts the challenge made by a mysterious visitor - to defeat a supernatural evil that knows no boundaries in its insatiable thirst for human souls.
Dark and disturbing adaptation of the Brothers Grimm fairy tale Little Red Riding Hood. Brought forward into the modern day it tells the story of a young boy, Daniel Parker, who finds himself wandering alone on an old abandoned army airbase. When Daniel stumbles across a blood stained jacket it triggers a chain of events that he could have never imagined and sends him on a journey into the darkest depths of human nature and beyond.
Danny ponders a way for rival gangs to avoid violence at an upcoming dance.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.
Emerging from the LA underground in year 2000, a self-proclaimed "video band" called TV Sheriff & The Trailbuddies hit the scene with their twisted take on performance art and VJ remixing. They have since taken their unique act to venues worldwide, providing animated commentary on the state of mind control in the USA. The Trailbuddies focus on the banality of television, creating rhythmic collages from appropriated clips of the most absurd broadcast moments. And besides their virtuoso sampling, the madcap ensemble creates original—and hilarious!—karaoke-style melodies on mass-media manipulation. Behind TV Sheriff & The Trailbuddies is the ingenious, Emmy-award-nominated Davy Force, an exceptional combination of brilliant director and hands-on computer artist. His recent projects include music videos for Devo, animated commercials for Bandai and the show open for Tim & Eric's Awesome Show Great Job.
The film is about a little boy, Hari, as he finds himself neglected and isolated, and his only delight -- his equally uncared-for grandmother -- while being raised in a very conservative Brahman family.
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.