Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.
Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.
2014-11-09
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7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
7.1With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.
A boat trip in the Helsinki archipelago: images of water, light and people on the cruise. The same people are met in the city in different situations: at work, with their family, in conversations with a circle of friends, meditating and figuring out their duties. Work and aspirations are important and encouraging to them. They all seem to have something personal to say about their time, their views and their imaginations.
A compilation of excerpts from old Helsinki-themed documentaries and new material.
6.3Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.
0.0Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.
6.7A City Runs Through the Festival is an anatomy of the Festival through the eyes of its own audience.
6.7Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
The film builds up a portrait of a great Sudanese film-maker, Gadalla Gubara. At eighty-seven, he is one of the pioneers of cinema in Africa. He has recently lost his sight but still continues to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood. Despite censorship and lack of financial support over sixty years, he has produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.
0.0A poetic portrait of a blind father with a bright perspective on life, who is strongly determined to deliver his message to the world.
0.0Jorge, Omar, Lalo and Moy love soccer, but being blind have kept them away from this sport until they meet and decide to make their own team and compete to be a part of the national team and play in the Rio 2016 Olympic Games.
0.0Blind musical prodigy Kyle Woodruff defies prejudice and expectations to become a skilled educator and the first blind male member of the Tabernacle Choir at Temple Square.
0.0Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
3.7As every day of Donald Trump's presidential campaign seemingly generates new headlines, this two-hour special examines the increasingly polarizing candidate's past. Included is rarely seen footage from Trump's interviews with Phil Donahue and his comments about politics from the floor of the 1988 Republican convention. Additionally, celebrities, politicians, and people described as "close to The Donald" weigh in, including former US Senator Al D'Amato (R-N.Y.), former Atlantic City mayor Jim Whelen, boxer Mike Tyson, and notorious "Apprentice" contestant Omarosa.
1.0My name is Ion. Who could have imagined the fate that awaited me: my birth under the Romanian dictatorship, the loss of my eyesight through an accident, my sudden escape from my homeland to seek a future that was a little too idyllic? One thing is certain: fate is like all the criminals that I listen to today for the Belgian federal police. With a little willpower, there is always a way to dodge its tricks. The person who taught me that is a close and loyal childhood friend. That friend is literature. Without her, I probably would not be what I am now, here, among you.