A young man meets his obsession, a ghostly '60's Playboy-bunny styled "Connie," and is never the same!
Connie
Stevie Toils
Springtime in Greenland uses '50s cinematic conventions and attitudes to tell a story about the sophomoric inhabitants of a fictional utopia.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
In 1916, a group of prisoners plot their escape from the notorious fortress located in French Guiana.
The film’s hero, Ilyich, cannot understand what’s wrong with him. Ilyich is a for- mer “mole”, an external observation agent in the KGB, then FSB. A skilled instructor. Now he is retired. From loneliness, he continues to watch those who catch his attention and curiosity. The doctor diagnoses him with empty sella syndrome (the syndrome of an empty Turkish Seat), which poses no danger for society... One day new neighbours move in, a young couple of musicians, and Ilyich’s life changes...
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
Alfalfa gives up being "King of the Crooners" to sing opera, but a nightmare of being under the thumb of an evil producer sends him back to his roots.
Machine Soul is a documentary film about Finnish Electronic musicians. It is a glance at the methods, rituals and philosophy behind the music, but most of all at the burning passion that drives the artists forward year after year. Electronic music is discussed from the point of view of the artists. What are their early influences? How did their style develop? What has been the role of their environment? It is a form of music that is often perceived as cold and lifeless by outsiders, but in the eyes of the artists it is a multifaceted and soulful way of life. The movie is not an overview of the Finnish Techno scene nor a chronicle. Many of the artists are virtually unknown in Finland, but have a large fanbase outside their home country. Machine Soul is a homage to the pioneers and newcomers of the Finnish Electronic music scene.
After Victor, 19 years old, is accused of raping a 17-year-old girl, his teachers -under the direction of principal Cornelia Cordes- have to decide whether he should be suspended or not. The discussion of these nine persons shows the contrasts in human character and reveals some bitter feelings...