A brief history of Stan Kenton's musical career from taxi-dance gigs to his successful big band orchestra.
Herself - Singer
A brief history of Stan Kenton's musical career from taxi-dance gigs to his successful big band orchestra.
1947-02-06
1
Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices. Soon, Jimmy finds himself trying to help the band by getting them gigs and trying to reconcile the family with his uncle.
Charged with the electricity of a heavyweight prizefight, " The Main Event " was filmed live at Madison Square Garden, a venue usually reserved for sporting events and rock 'n' roll concerts. Sinatrra dazzies the crowd with contemporay numbers as " You are the Sunshine of My Life ", " Let Me Try Again " and delivers the knockout blow with signature tunes " My Kind of Town " and " My Way ".
For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.
The life story of the famous pianist and band-leader of the 1930s and 1940s.
Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the band's tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives.
Ted Fio Rito and his Orchestra provide the title element with their snappy tunes fronted at different times by just starting out Betty Grable & Leif Erickson.
His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.
In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.
Frank Zappa - The Broadcast Archives is a collection of live performances from the master of experimental and comedy rock. These Saturday Night Live performances demonstrate the musical genius and the progressive jazz-rock arrangements that were the signature of the phenomenal Frank Zappa. Featured tracks include: Peaches En Regalia I Am The Slime Purple Lagoon Dancing Fool The Meek Shall Inherit Nothing St Alphonso's Pancake Breakfast
The manager of Kay Kyser’s band books them for a birthday party bash for an heiress at a spooky mansion, where sinister forces try to kill her.
With the help of more than 10,000 dedicated Zappa fans, this is the long-awaited definitive documentary project of Alex Winter documenting the life and career of enigmatic groundbreaking rock star Frank Zappa. Alex also utilizes in this picture thousands of hours of painstakingly digitized videos, photos, audio, writing, and everything in between from Zappa's private archives. These chronicles have never been brought to a public audience before, until now.
Set in 1947, Knights of Swing is a feature film that chronicles a group of young jazz musicians whose dream is to form a “really swingin’ Big Band”. Unfortunately, things prove much more complicated when the community objects to the diversity of the band. Alliances form, and lines are drawn. What follows is soul searching, uplifting, and through music, our story illuminates forgiveness, healing and unconditional love.
Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.
Circumstances arise that result in a man impersonating his uncle. As the "uncle", he finds himself pursued by his girlfriend's aunt, who does not approve of their relationship.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
The Ingenues perform "Tiger Rag," "Changes," "Mighty Lak' a Rose," "Keep Sweeping the Cobwebs Off the Moon," and "Shaking the Blues Away."
A country girl, wanting to break into show-business, comes to New York City and, by her actions, manages to restore the optimism of a jaded and disillusioned nightclub owner. Eventually, she marries the manager of one of the man's nightclubs.
Don Vincente is determined to make a success of himself and his band. He gets his break by performing at the Garden of the Moon, which is broadcast over the radio. The problem is that John Quinn is the club's ruthless, scheming manager who will do anything to keep Vincente under his thumb. John's assistant, Toni Blake, falls for Vincente, complicating the escalating war.
A bandleader falls in love and marries a small town girl.
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.