Inspector Kan (Stanley Fung), now married to Madame Wu (Sibelle Hu), has been instructed to train the Banshee Squad Members after Madame Wu goes into semi-retirement. For their next mission, the Squad is assigned to go undercover into a Casino Ship to nab a group of thieves responsible for stolen law enforcement and military weapons.
Gary Coleman stars as a teenage arsonist. The authorities, friends, and neighbors warn his absentee parents until it is too late.
Four new Banshee Squad Members join the Hong Kong Police Academy to undergo training supervised by Madam Wu. Their personalities don't click with the current Squad Members, resulting in petty arguments and duels. However, they later make peace with one another as they join the Tiger Squad Members, supervised by Inspector Kan, to undergo new training courses together and combine forces to take down a band of terrorists.
Maria Pretorius is the leader of a counseling office in a large factory. She is completely engrossed by her career and so gives the cold shoulder to her colleague Wallrodt, who wants to marry her. Only the young Manfred Thiele is successful in winning her sympathy through his perseverence. That, however, pisses off Lyda Lehmann, who has long had the hots for him.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
In the form of folds: separate areas of a piece of fabric come together, touching in new ways, at new angles. Individual sections come forward while others remain hidden. In motion, the surface of a cloth gleams like the delicate impression of light in film. The French experience includes forms from nature that are discovered, singled out or artificially employed. And parallel to this is the search for the natural in art. Leaves and flowers appear as if drawn. One’s own hand becomes an object, a figure. How are the leaves arranged on a tree? It is a culture of the aesthetic, in the original sense of that which refers to perception.
Wholesome comedy about newlyweds (and the bride's understanding--but sometimes interfering--parents) discovering married life isn't always bliss.
Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching in the distance, clearly outlined against the grey mountains. Smoke can be seen pouring in volumes from the stack of the locomotive, and as the train approaches closely, she sounds a whistle, warning some section men, who are working on the tracks in the foreground. As she rushes by the camera, the swing motion of the train gives a vivid idea of the lightning speed at which she is traveling. (Edison film catalog)
A train ride and a stroll through the forest reveal strange incidents. The journey carries us through fields, along power lines and running people. Line structures on the margin of chaos signal impending disaster.
This film was created by Sokurov before or during his VGIK student years for the regional TV of Gorki. He does not consider it a part of his filmography. For its creators, it was just a TV program, and the people who worked on it most often were being given no distinction in the credits. This document of the very origins of Sokurov gives us a notion of his "pre-stylistic" period, where the personality of the future great filmmaker reveals itself in spite of means and circumstances.
Hanatani Village in the valley of Tokushima Prefecture is going to be submerged when a dam is constructed. In order to preserve the beauty of the place for future generations, the villagers decide to take photographs of all the families in the village. Kenichi, the only photographer in the village, is put in charge of the project. He calls his son Takashi, an aspiring photographer, to help him with the task. Takashi is puzzled since his father and he are not at all close, but as they visit each family in turn and Takashi sees his father working, Takashi's feelings towards his father begin to change.
A young student (Mel Lisboa), a literature professor (Felipe Camargo) and a wounded warrior who is always with his face covered (Sergio Marone) are three militants, who are confined in an apartment in Belo Horizonte. There they confront their emotional and political options, involving loyalty, betrayal and desire.
Remarkably well-endowed law enforcers investigate a downed satellite lost in the jungles of Hawaii that would give its finder untold erotic powers.
Pupils of the ordinary high school organize a “secret society” under the motto “Help the offended and weak, avenge widers and upstarts!” The new pioneer leader supports the children, and soon he manages to make the school life of the children truly fascinating.
The Fight for Life was documentary filmmaker Pare Lorentz' first "dramatic" film, utilizing the talents of several top New York stage actors. A tribute to the Chicago Maternity Center and its efforts to provide the best possible care for destitute mothers, the film is based on the book of the same name by Paul de Kruif. Myron McCormick plays the largest role as a dedicated intern, while others in the cast include such theatrical heavywrights as Will Geer, Dudley Digges and Dorothy Adams. The film's many vignettes range from the tragic (a mother dying in childbirth in the opening scene) to the exultant (another mother rescued from the brink of death in a disease-ridden tenement). Filmed in Chicago, Detroit and Cleveland, Fight for Life is a worthwhile effort, though Lorentz seems more comfortable with the "actuality" scenes than with the dramatized passages.
The owner of a travel agencies decides to took a holiday with his family. He combines business with pleasure and undertakes a tour of inspection of some of his enterprises. Incognito he arrives with his family at the Castle Hotel on the Wörthersee. But the hotel manager has been warned of the impending visit and means to give the important guest the red carpet treatment. Unfortunately he does not know him personally and so takes the wrong man for the incognito inspector. Neither of the two men enjoy the mix-up and the poor hotel director has to live through some uncomfortable hours before he manages to pour oil on the troubled water.