A Cockney lad trains to be a messenger boy.
A Cockney lad trains to be a messenger boy.
1937-01-23
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Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.
Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.
A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.
Through dramatization and interviews with her colleagues, this film captures the life and work of famed Puerto Rican poet Mercedes Negrón Muñoz (also known as Clara Lair).
Underage lifts the lid on the insular world of a group of wayward Coventry teenagers in the early 1980s. In the run up to the summer holidays, struggling to make sense of their lives, the teens take solace in glue sniffing, drinking excessively, getting arrested or head-banging to Motorhead
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
You Can't Be Neutral documents the life and times of the historian, activist and author of the best selling classic "A People's History of the United States". Featuring rare archival materials, interviews with Howard Zinn as well as colleagues and friends including Noam Chomsky, Marian Wright Edelman, Daniel Ellsberg, Tom Hayden and Alice Walker.
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
This documentary takes an in-depth look at the witch hunts that swept Europe just a few hundred years ago. False accusations and trials led to massive torture and burnings at the stake and ultimately to the destruction of an organic way of life. The film questions whether the widespread violence against women and the neglect of our environment today can be traced back to those times.
The intimate bond between two identical twins is challenged when one decides to transition from male to female; this is the story of their evolving relationship, and the resurrection of their family from a darker past.
The inside story of the last days of a General Motors plant in Moraine, Ohio, as lived by the people who worked the line.
Robert De Niro, Sr., was a celebrated painter obscured by the pop-art movement. His life and career are chronicled in the artist's own words by his contemporaries and, movingly, by his son, the actor Robert De Niro.
An examination of the prisoner abuse scandal involving U.S. soldiers and detainees at Iraq's Abu Ghraib prison in the fall of 2003.
The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, between the daily grind and summer vacations, the film turns unexpectedly into a portrait of what happens when city dwellers encounter a country spider.
After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.
Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.
When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.