Focuses on the work of the Air Transport Auxiliary or ATA. By 1941, literally hundreds of RAF fighters and bombers needed to be flown each day between aircraft factories, maintenance depots and RAF aerodromes. This vital task was carried out by the men and women of the ATA, a civilian air force operating from their own pools and stations all over Britain. Essentially a dramatised account of typical ATA deliveries, the film features coverage of the ATA's own fleet of Ansons, as well as being notable for some excellent Spitfire film and very rare footage of the Whitley bomber, including take off and in-cockpit sequences.
Focuses on the work of the Air Transport Auxiliary or ATA. By 1941, literally hundreds of RAF fighters and bombers needed to be flown each day between aircraft factories, maintenance depots and RAF aerodromes. This vital task was carried out by the men and women of the ATA, a civilian air force operating from their own pools and stations all over Britain. Essentially a dramatised account of typical ATA deliveries, the film features coverage of the ATA's own fleet of Ansons, as well as being notable for some excellent Spitfire film and very rare footage of the Whitley bomber, including take off and in-cockpit sequences.
1942-10-05
5
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Victoria is a young mother trying to put her dark past as a Russian drug courier behind her, but retired cop Damon forces Victoria to do his bidding by holding her daughter hostage. Now, Victoria must use guns, guts and a motorcycle to take out a series of violent gangsters—or she may never see her child again.
Detective James Knight 's last-minute assignment to the Independence Day shift turns into a race to stop an unbalanced ambulance EMT from imperiling the city's festivities. The misguided vigilante, playing cop with a stolen gun and uniform, has a bank vault full of reasons to put on his own fireworks show... one that will strike dangerously close to Knight's home.
Upon the empire’s fall to invading conquistadors, the 16th-century Incas quickly concealed a sacred manual containing the secrets behind their deadly fighting technique. But after centuries of careful safeguarding, the manual is again at risk of falling into the wrong hands, leaving its rightful guardian to battle the world’s greatest assassins to protect the ancient secrets within.
A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)
After a high-ranking North Korean official requests asylum, KCIA Foreign Unit chief Park Pyong-ho and Domestic Unit chief Kim Jung-do are tasked with uncovering a North Korean spy, known as Donglim, who is deeply embedded within their agency. When the spy begins leaking top secret intel that could jeopardize national security, the two units are each assigned to investigate each other.
Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.
WWII 1942: Rzhev, USSR. Stuck in a crucial strategical position, a small company from the Red Army does whatever it takes to fend off the Nazis.
Sarawak, in the northeast of the island of Borneo, 1839. Almost by chance, the British adventurer James Brooke is appointed rajah by the Sultan of Brunei, and as an independent ruler he embarks on a personal crusade to eradicate piracy, slavery and headhunting, while trying to curb the malevolent expansionist ambitions of the British Empire.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Remmy and her parents, refugees from Earth, have found peace on the Martian outskirts until strangers appear in the hills beyond their farm. Told as a triptych, the film follows Remmy as she struggles to survive in an uneasy landscape.
After a sleepless night Lara steals her husband's phone to make a call. When she's not met with the reception she expected, things take an even darker turn.