The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.
The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.
1955-01-01
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Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.
Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Joseph and Hanna. Irresistibly attracted to each other, Gino and Hanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.
An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed director Yaël Farber (Les Blancs, Hamlet) draws on multiple accounts to create her urgent, hypnotic production.
The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.
A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.
Based on the harrowing true story of an October 1982 shark encounter. After a yacht bound for Florida capsizes during an unexpected storm, its crew is left to drift for days in the chilling waters of the Atlantic where they become prey to a group of tiger sharks. With the hope of rescue dwindling, the crew must do everything in their power to survive as the sharks continue to hunt them.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
In June 2009, a group Britain's leading actors gathered for one night only to perform a celebration of the work of Harold Pinter at the National Theatre, directed by Ian Rickson. The team who made the acclaimed Harold Pinter documentaries for BBC's Arena was there to record this unique performance.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
Television thriller in which a scheming doctor murders once for love and then has to kill again to cover it up.
The Marvelous Land of Oz is a 1981 musical play by Thomas W. Olson, Gary Briggle, and Richard Dworsky, based on the 1904 novel by L. Frank Baum. Not long after the events in The Wonderful Wizard of Oz, a young boy named Tip is the unhappy servant of Old Mombi, a wicked Sorceress in the Land of the Gillikans (in the north of Oz). One day Tip escapes, after creating a walking stick figure with a jack-o-lantern head named Jack Pumpkinhead with a magic Powder of Life stolen from the witch. He goes to the Emerald City, now ruled by the Scarecrow, but unfortunately, a female Army of Revolt, 400 strong and led by General Jinjur, captures the city. The Scarecrow, Tip, Jack, and some other oddball characters flee the city and head west to the land of the Winkies, now ruled by the Scarecrow's old friend the Tin Woodman. They must recapture the Emerald City, defeat Old Mombi (who allies herself with Jinjur), and most of all, discover the true secret of unassuming young Tip.
A small construction crew on an island is terrorized when a spirit-like being takes over a large bulldozer, and goes on a killing rampage.