Behind the Curtain(2013)

Fuoco sacro – Suche nach dem heiligen Feuer des Gesangs(de)

What drives men and women to risk their own lives to save those of others? Fuoco Sacro tells the story of the Vigili del Fuoco, the Italian fire department, and does it through the voices of the people who, over half a century of history, have tackled with competence and a spirit of self-sacrifice the greatest calamities that Italy has tragically had to experience at firsthand.

The Revenge of the Diva(sv)

Sivandivan is a documentary about an uncompromising royal singer who refused to adapt to the norm of how a female artist should behave. And for that, she has had to pay dearly. She is now 72, has no family, not many know who she is and to those who do, she is an outcast.This movie is about Siv’s revenge and comeback.

Peter Dvorský(sk)

Anna Netrebko – ein Leben für die Oper(de)

She is one of the greatest divas of the present day and has left her mark on the world of opera: Anna Netrebko. On her 50th birthday, ARTE is dedicating a special portrait to her. As a disciplined professional in preparations and behind the scenes. And very personally in a private conversation. An encounter with a true superstar of classical music.

Einstein on the Beach: The Changing Image of Opera(en)

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

Florence Foster Jenkins: A World of Her Own(en)

Documentary about Florence Foster Jenkins, her delusions, and how the people around her reacted to them.

Kundry(de)

Documentary about opera production and the life of theatre stars.

Sounds of Dortmund(de)

Carmen Not Only According to Bizet(cs)

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

Kapr Code(cs)

This film traces the life of Jan Kapr, a prominent Czech composer of the 20th century. A documentary opera with an ambitious libretto and playful and refined editing work, Kapr Code is an unexpected celebration of creativity that shakes up our ideas of biography and pays tribute to the importance of resisting homologation and censorship through art and creation.

Confession of the Vanished(cs)

The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.

Diptych(fr)

A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.

The Oratorio(en)

In “The Oratorio,” filmmaker Martin Scorsese helps tell the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City.

Faszinierende Frauen - Faszinierende Stimmen(de)

Documentary about female opera stars.

Adolphe Appia Visionary of Invisible(fr)

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Otello(it)

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Rusalka(cs)

Pavarotti, Birth of a Pop Star(fr)

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Andrea Chenier(it)

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

The Sound of Identity(en)

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.