Nîmes, sortie de l'église(1896)

Box(en)

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Box(en)

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Diabolik - Ginko Attacks(it)

Diabolik narrowly escapes Inspector Ginko's latest trap, leaving his partner in crime Eva Kant behind. Furious, Eva offers Ginko her help in capturing him, but the former has to face first the return of an old flame of his, noblewoman Altea.

Box(fr)

For frihed og ret(da)

Transplant(it)

To satisfy his wife, an elderly man has to have a penis transplant and is willing to pay a lot to do so. Three men are selected, who, for different reasons, are forced to accept; but giving up one's manhood can be more complicated than expected.

Box(en)

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

The Flood(en)

A horde of giant hungry alligators is unleashed on a group of in-transit prisoners and their guards after a massive hurricane floods Louisiana.

Box(en)

8mm film by Swiss artist Roman Signer.

Box(ro)

Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.

Man(en)

An experimental film through the eyes of a man

Detective Conan: Strategy Above the Depths(ja)

Fifteen years ago in a barren stretch of the Pacific, a cruise ship collided with an iceberg and was lost at sea. More than a decade later, Hideto Yashiro—a ship engineer—died in a fatal car accident. The unlikely connection between these events only comes to light on the luxury liner St. Aphrodite during her maiden voyage. Aboard it on a much needed vacation, Kogorou Mouri, his daughter Ran, Conan Edogawa, and the Detective Boys enjoy a trip provided by Sonoko Suzuki's family. But their fun is soon cut short when a game of hide-and-seek leads to Sonoko's disappearance.

The Dangerous Days Of Kiowa Jones(en)

A dying marshal deputizes a drifter to deliver the two killers in his custody to prison. However, the new deputy must elude a pair of bounty hunters who want to deliver the prisoners themselves to collect the reward and would think nothing of killing the deputy to get them.

Avatar(es)

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Godzilla: King of the Monsters - Godzilla 2.0(en)

A look at the newest version of one of cinema's greatest monsters.

Someone's Inside(en)

There is someone else in this house. Someone is inside. I don't know what he wants or what he's going to do. What should I do? A short film made by two guys who got bored and decided to do something. This short film was totally improvised. It was filmed in less than three hours and was edited in less than a day. This is the result of two minds trying to be creative.

Red(en)

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.