Carlos do Carmo, Bernardo Sassetti:(2011)

Amália(pt)

You already know the legendary singer. For the first time, you'll get to know the woman behind the myth. The story of singing legend Amália Rodrigues who ruled the famous Portuguese acoustic guitar and vocals based music genre called fado.

I, Amália(pt)

A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.

Fado, a Singer's Story(pt)

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

Black Cloaks(pt)

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

Hylário(pt)

Amalia Rodrigues Live In New York(en)

A thrilling performance of the greatest modern singer of Fado, Amalia Rodrigues. Taped in 1990, before an excited and savvy audience at New York's Town Hall, the concert captures all the passion, romance, and power of both the Fado tradition and Amalia herself.

Sara Correia – Eu sou de Chelas(pt)

Lina_Raül Refree - session Eurosonic 2020(pt)

Two incredible musicians generating an intense, moving and very special musical relationship. Raül Refree one of the most innovative european producers of the last decade, was blown away by Lina's voice, when he saw her sing at Clube de Fado in Lisbon. Lina, a Fado singer with classical training, 2 records on Sony Music and an expert on Amália Rodrigues, selected some of the Diva's Fado Classics and they immediately started to work in studio, a joint project. Raül framed Lina's voice in analog clouds, with brilliant arrangements and a never-before-tried approach, giving Fado a unique electronic view underlining its universal condition. Lina profoundly moving, each song she owns is a monument in the history of Fado, whose voice haunts us all. Sometimes you need to break the rules, that is how you end up making history.

Amália Rodrigues - Live in Japan(pt)

Saudade: The Lisbon I Never Knew(en)

A love letter from an American soul to the city of Lisbon.

Verdi La Traviata(en)

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Cecil Taylor: All The Notes(en)

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Good Night, Buenos Aires(es)

Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.

Walzer(de)

Walzer is an excerpt taken from a work by the same name. Pina Bausch premiered it in the summer of 1982 at the Carré Theatre in Amsterdam and filmed it in the autumn of the same year in the theatre of Wuppertal. When in 1986 the German radio station Norddeutscher Rundfunk in Hamburg asked for a recording, Pina Bausch selected and edited the material into the film Walzer.

Girls Aloud: Ten Years at the Top(en)

Girls Aloud: Ten Years at the Top is a documentary released to coincide with the tenth anniversary of British all-female pop group Girls Aloud. Aloud. The documentary explores their origin and history, solo projects, and reuniting. It includes new interviews and previously unseen footage.

Almost Famous(en)

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

The Music Room(bn)

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Moulin Rouge!(en)

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.