
The film was shown for the first time on 11 February 1952 at the 'Avant-Garde 52' cinema club. It consisted of blank illumination projected onto a weather balloon, accompanied by a staccato spoken soundtrack. The film was banned by the French censors on 2 April 1952—when the Letterists visited the Cannes Film Festival the following month, they were forced to restrict the audience to journalists only. The text of the soundtrack was published in the sole issue of the Letterist journal Ion (1952; reprinted Jean-Paul Rocher, 1999), and later reissued in a separate edition augmented with associated texts (Editions Allia, 1994). Ion also included the text of Guy Debord's film Howls for Sade, which was dedicated to Wolman and featured his voice in its own soundtrack.
(voice)

The film was shown for the first time on 11 February 1952 at the 'Avant-Garde 52' cinema club. It consisted of blank illumination projected onto a weather balloon, accompanied by a staccato spoken soundtrack. The film was banned by the French censors on 2 April 1952—when the Letterists visited the Cannes Film Festival the following month, they were forced to restrict the audience to journalists only. The text of the soundtrack was published in the sole issue of the Letterist journal Ion (1952; reprinted Jean-Paul Rocher, 1999), and later reissued in a separate edition augmented with associated texts (Editions Allia, 1994). Ion also included the text of Guy Debord's film Howls for Sade, which was dedicated to Wolman and featured his voice in its own soundtrack.
1952-02-11
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7.1In early 19th-century France, the Marquis de Sade is confined to an asylum where his forbidden writings continue to circulate beyond its walls. As the authorities tighten control, a clash unfolds between the Marquis’ unyielding imagination, the reformist ideals of the Abbé in charge, and the repressive measures of a doctor sent to silence him. Desire, power, and censorship collide in a battle over freedom of expression.
6.6During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"
6.1Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.
7.3After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
7.0This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.
7.1The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
6.9Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colourful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.
7.9A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
6.4Jamal and Silas, two ordinary guys who smoke something magical, pass their college entrance exams with flying colors and end up at Harvard. Ivy League ways are strange but Silas and Jamal take it in a stride -- until their supply of supernatural smoke runs dry. That's when they have to start living by their wits and rely on their natural resources to make the grade.
6.3An outer suburb of Paris, 1972. Gilles and Christine, both sixteen, are classmates and lovers who have become frustrated with the aloofness of their families and the general monotony of their lives. When the pair are caught shoplifting, Christine's father ships her off to a home for emotionally disturbed children, temporarily putting space between her and Gilles. Luckily for them, though, she escapes and the couple contemplate running away together.
7.7Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
7.0A woman who is unfairly institutionalized at a Paris asylum plots to escape with the help of one of its nurses. Based on the novel 'Le bal des folles' by Victoria Mas.
6.4Famed architect Jeremy Angust is approached on his trip to the Paris Airport by a chatty girl named Texel Textor who needs a ride. He obliges and after they part ways at the airport entrance, he misses his flight. As he settles in the lounge, he encounters the mysterious young Texel again, who insists on telling her strange story — and the conversation grows stranger and more twisted until it turns sinister and deadly.
7.5A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
6.9A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
6.3Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond?
6.5Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
7.2Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.
5.9A failed 40 year old comedian wants to organize the first Black protests in France but meeting with other French celebrities of the Black community will make it a whole new adventure.