Milking the Rhino(2009)

Animal(fr)

16-year-old Bella and Vipulan are part of a generation convinced its very future is in danger. Between climate change and the 6th mass extinction of wildlife, their world could well be inhabitable 50 years from now. They have sounded the alarm over and over, but nothing has really changed. So they’ve decided to tackle the root of the problem: our relationship with the living world. Over the course of an extraordinary journey, they come to realize just how deeply humans are tied to all other living species. And that by saving them… we’re also saving ourselves. Humans thought they could distance themselves from nature, but humans are part and parcel of nature. For man is, after all, an Animal.

The Salt of the Earth(fr)

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

The Year Earth Changed(en)

Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.

The Living Sea(en)

The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

In Between Mountains and Oceans(ja)

Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.

Lion: The Rise and Fall of the Marsh Pride(en)

Documented in television documentaries for over 40 years by the BBC and other broadcasters around the world, the Marsh Pride is the most filmed pride of lions on Earth. In this film, the Marsh Pride battle for survival in Kenya's famous Maasai Mara Reserve, which has become a magnet for tourists, many of them keen to see the pride for themselves. A tale of shifting loyalties, bloody takeovers and sheer resilience, the lions’ story is told by those who filmed them, tried to protect them and lived alongside them, as well as some who ultimately wanted them dead.

Africa Light / Gray Zone(en)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Terror at the Mall(en)

A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.

Safari Ya Gari(en)

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

The Donkey that Carried the Cloud on its Back(en)

In the Indian Ocean, off the coast of Kenya, there is an island. On this island there is a stone town; its stone buildings stand as skeletons of the splendor of its yesteryears. High tide, low tide, Full moon, new moon. Lamu is an island frozen in time. Now Africa’s largest port is being constructed. In order to evolve, what part of ourselves do we keep and what part do we leave behind?

Anthropocène, l’implacable enquête(fr)

For several decades, geoscientists have been observing that the Earth is changing rapidly due to human intervention. This action has such a great impact on the biological, geological and atmospheric processes of the Earth that some scientists speak of the dawn of a new epoch: the Age of Man or the Anthropocene.

A Time There Was: Stories from the Last Days of Kenya Colony(en)

A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.

Across the World with Mr. and Mrs. Johnson(en)

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

Nature : pour une réconciliation(fr)

Combining poetry, science and emotion, this film traces the history of life, from its cosmic origins to its evolution on our planet, through the wonders of biodiversity and the contemporary challenges it faces. Through spectacular images, Yann Arthus-Bertrand questions the paradoxes of our times and urges a collective transformation to reconcile humanity with nature.

Running With The Beest(en)

Below the Sahara(en)

The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.

Lady Tundra(ru)

A critical look at the human-nature relationship in the tundra.

Desert Lions of the Namib - Departure and Return(de)

Two years after the moving documentary "Desert Warriors: Lions of the Namib", we find the five young lions who have grown up well. After leaving the lands of their childhood, they went in search of females with whom they could found new clans.

Honey at the Top(en)

Honey at the Top is a film about the Sengwer forest people of the Cherangani Hills, Kenya, being evicted from their ancestral land in the name of conservation. The film centres around father of two Elias as he works with his community to try and hold onto their culture and resist the evictions. It is an intimate portrait of this community at a crossroads, facing international pressure from organisations like the World Bank, a corrupt Kenya Forest Service who are burning their houses and attempts to turn the forest into a commodity through carbon offsetting schemes.