Si Sos Brujo: A Tango Story(2008)

Café de los maestros(es)

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

Espérame(es)

A singer is in love with a young woman who is being extorted by a rich rancher.

The Sidewalks of Saturn(es)

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

Gran Casino(es)

After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.

The Tango Lesson(en)

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

Radio Bar(es)

La voz de mi ciudad(es)

Tango(es)

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made.

Carlos Gardel, Historia de un Ídolo(es)

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.

Gardeliana(es)

A group of Carlos Gardel fans gathers every year at the Chacarita Cemetery to commemorate the anniversary of his death. Gardeliana portrays the ritual of a national hero, a day of saddened faces that coexist between the marvelous and the ghostly.

Tangos, the Exile of Gardel(es)

Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.

Memories(en)

Remembering his old memories, he will leave a photograph in every place where he was happy.

Gran Paraíso(es)

El Día Que Me Quieras(en)

In a near-future Los Angeles where space travel is becoming common, a young couple faces their last day together after Lisa is selected by NASA for a life-changing mission. Torn between love and ambition, they try to make peace with the distance her choice will create. El Día Que Me Quieras explores love, solitude, and the sacrifices that come with chasing dreams.

Pichuco(es)

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

Tangos Are for Two(es)

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Tango: Our Dance(es)

Documentary filmed in Buenos Aires that shows the importance of tango for Argentines, with dance scenes, voiceovers and interviews with professionals but also with other anonymous characters who find their form of expression in this music. The film was shot at a time of tango revival around the world.

Melián 3167(es)

César and Luis, two tango authors, visit Polaco Goyeneche at his house, to give him a song in his honor. Based on the song "Ciudadano de Saavedra" by César Rossi and Julio Pane.

¡Tango!(es)

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Piazzolla: The Years of the Shark(es)

A cinematic portrait of the world-wide legendary Argentinian composer who changed tango. For the first time ever, the hidden archives of bandoneón player Astor Piazzolla are opened by his son Daniel.