Finally Got the News(1970)

Viaje al centro de la producción(es)

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

A Vision in the Darkness(fr)

Through the eyes of a Quebec Jewish activist, Lea Roback, feminist, unionist, pacifist and communist, A VISION IN THE DARKNESS proposes a modernist vision of Quebec history, from the beginning of the twentieth century to the period knows as « La Grande Noirceur », the Great Darkness.

The Flickering Flame(en)

Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.

Fish or Cut Bait(en)

In the 1970's, filmmakers Tom Burger, Bill McKiggan and Chuck Lapp began documenting the history and current struggles of inshore fishermen in Atlantic Canada to form a union. Until 1979 it was illegal for fishermen to form a union in Nova Scotia. The committed funding from the National Film Board was withdrawn for this film, however the filmmakers continued to edit the film by entering the NFB at night. The CBC refused to broadcast the film, but it was finally released in 1990 and broadcast nationally that year on Vision TV.

The Road Taken(en)

This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.

Cocalero(es)

A documentary centered on the union formed by Bolivian farmers in response to their government's (which was urged by the U.S.) effort eradicate coca crops, and the man who would come to represent them, Evo Morales.

Union(en)

The Amazon Labor Union (ALU) — a group of current and former Amazon workers in New York City’s Staten Island — takes on one of the world’s largest and most powerful companies in the fight to unionize.

Plutocracy II: Solidarity Forever(en)

The film, which is the second part of an ongoing historical series, covers the seminal labor-related events which occurred between the late 1800's and the 1920's. Its subtitle refers to a 1915 song composed by Ralph Chaplin as an anthem for unionized workers. The film itself is the cinematic version of that anthem, as it allows us a comprehensive understanding of the need for these early labor unions, and the enormous sacrifices of its members to ensure fairness, safety, and equality in the workplace.

The Willmar 8(en)

Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.

Shattered Glass: A WNBPA Story(en)

Shattered Glass: A WNBPA Story dives deep into the lives beyond the court of the next generation of basketball luminaries, Jonquel Jones, Nneka Ogwumike, and Breanna Stewart, as well as WNBA legend, Sheryl Swoopes. From intense off-season routines to the intricacies of family dynamics to navigating the politics of women's sports, this documentary offers viewers a rare, all-encompassing look at the athletes as holistic individuals.

The War You and I(ko)

With the unexpected dismissal of 2045 workers, the strike by Ssangyong employees has received the most public support and attention since the IMF. It was an intense period inside and outside the factory.

Harlan County U.S.A.(en)

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Justice in the Coalfields(en)

This film demonstrates how labor law has crippled the collective bargaining power of unions and weighed the scales of justice against working people. The documentary follows the 1988 United Mine Workers strike against the Pittston Coal Company that followed the expiration of their contract and Pittston's termination of the medical benefits of 1,500 pensioners, widows, and disabled miners.

Conversations Between Shifts(en)

A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.

For Twenty Cents A Day(en)

A film documenting work shortages during the Depression of the 1930s and the attempts to deal with the unemployed, in particular young men. The film discusses the establishment of relief camps and projects, where men were paid twenty cents per day; the founding of organizations such as the Co-operative Commonwealth Federation (CCF), Workers' Unity League, and Relief Camp Workers' Union; general unionization and protest of the unemployed, including the On To Ottawa Trek, Regina Riot, sit-in strike from May to June 1938 at the Vancouver Main Post Office, Vancouver Art Gallery and Hotel Georgia, and the resulting Bloody Sunday of June 19.

Feedback(is)

A documentary about teachers' strikes in Iceland in the latter half of the 20th century with a special focus on 1995.

Main basse sur l'énergie(fr)

Island Shunters(en)

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

Freedom Isn't Free — The Freedom Charter Today(en)

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

Americonned(en)

The super-rich determines virtually every aspect of the lives of the other 90% of Americans. This film examines the hidden struggles of American families, the calculated political maneuvers of the elite, and the long overdue uprising of American workers. With affection for the middle-class and the outrageous attempt to color them as lazy, the film explores the question: How do we make sure workers are paid what they are worth, instead of believing they are only worth what they are paid?